When I Die: Lessons from the Death Zone - Screening and Discussion
Event 550 • •
Venue: Digital Stage
In "When I Die" Philip Gould shares his thoughts and insights as he confronts his impending death from oesophageal cancer. How do we approach death whilst embracing life? How can we change the conversation around death and palliative care for the terminally ill? Please share this film and join the conversation #WhenIDie. Philip believed that for the terminally ill and those close to them, there can be moments of joy, resolution and inspiration just as intense as those of fear, discomfort and sadness.
Filmed during the last 2 weeks of Philip's life, this intimate portrait reveals his quest to find purpose and meaning in what he called "The Death Zone". He had been diagnosed with cancer of the oesophagus in 2008 and was given three months to live in the summer of 2011. Philip Gould's book, "When I Die: Lessons from the Death Zone" is published in the UK by Little Brown. Proceeds from the book will go to the National Oesophago-Gastric Cancer Fund (donations tohttp://www.justgiving.com/nogcf ) and the Royal Marsden Cancer Charity (donations to http://www.royalmarsden.org/philipgould )
DIRECTOR AND PHOTOGRAPHER : Adrian Steirn EXECUTIVE PRODUCERS: Matthew Freud & Elisabeth Murdoch PRODUCER: Nicola Howson ASSISTANT DIRECTOR: Harriet Pratten DIRECTOR OF PHOTOGRAPHY: Damon Hyland VIDEO EDITOR: Benjamin Haskins CINEMATOGROPHY: Richard Gregory, Oran O'Reilly, James Suter COLOUR: Leon Visser GRAPHICS: Zee Muller BEHIND THE SCENES PHOTOGRAPHY: Gary Van Wyk SCREENWRITER: Andy Ellis PRODUCTION ASSISTANT: Emily Forbes
The science writer celebrates the centenary of the genius mathematician and code-breaker, who deciphered the German naval cables in WWII, and demonstrates the encryption techniques on his own, original Enigma Machine.
The campaigning journalist and Hay hero gives an exclusive preview of his forthcoming book in which he argues for the mass restoration of damaged ecosystems, the reintroduction of wolves, lynx, beavers, moose and boar to Britain, and a life richer in adventure and surprise.
1913 - Suffragette throws herself under the King's horse.
1969 - Feminists storm Miss World.
NOW - Caitlin Moran rewrites The Female Eunuch from a bar stool and demands to know why pants are getting smaller.
There's never been a better time to be a woman: we have the vote and the Pill, and we haven't been burnt as witches since 1727. However, a few nagging questions do remain...
Why are we supposed to get Brazilians? Should you get Botox? Do men secretly hate us? What should you call your vagina? Why does your bra hurt? And why does everyone ask you when you're going to have a baby?
Part memoir, part rant, Caitlin Moran answers these questions and more in How To Be A Woman - following her from her terrible 13th birthday ('I am 13 stone, have no friends, and boys throw gravel at me when they see me') through adolescence, the workplace, strip-clubs, love, fat, abortion, TopShop, motherhood and beyond.
Join the editors and a selection of artists from behind this beautifully-rendered, Eisner nominated, graphic novel. Nelson tells the story of one woman’s life from birth in 1968 to the present day. Each creator individually details a single event or moment of protagonist Nel Baker’s life before handing over to the next artist, resulting in a vast narrative told via yearly snapshots. Part exquisite corpse, part relay race, Nelson spans decades of British history and combines a myriad of stylistic approaches in a single, compelling graphic novel.
The permaculture pioneer guides us around his sustainable food centre, which has won 12 True Taste of Wales awards in 3 years including gold for sustainable development in 2011. The centre is probably the most productive acre and a half in the UK and is a blueprint model for future food security.
Join Richard Ball, Access and Uplands Officer from the Brecon Beacons National Park and Rob Dingle, Offa’s Dyke Path National Trail Officer, on this lovely, moderate 7 mile (11km) walk to the top of Hay Bluff for stunning views of the surrounding countryside before returning to the town along a pretty section of the Offa’s Dyke Path National Trail.
It was 1501. England had been ravaged for decades by conspiracy, violence, murders, coups and counter-coups. Henry VII had clambered to the top of the heap - a fugitive with a flimsy claim to England's crown who through luck, guile and ruthlessness had managed to win the throne and stay on it for sixteen years. Although he built palaces, hosted jousts, gave out lavish presents and sent ambassadors across Europe, for many he remained a usurper, a false king.
But Henry had a crucial asset: his queen and their children, the living embodiment of his hoped-for dynasty. Now, in what would be the crowning glory of his reign, his elder son would marry a great Spanish princess. On a cold November day this girl, the sixteen-year-old Catherine of Aragon, arrived in London for a wedding upon which the fate of England would hinge...
In his remarkable debut, historian Thomas Penn recreates an England which is both familiar and very strange - a country that seems medieval yet modern, in which honour and chivalry mingle with espionage, realpolitik, high finance and corruption. It is the story of the transformation of a young, vulnerable boy, Prince Henry, into the aggressive teenager who would become Henry VIII, and of Catherine of Aragon, his future queen. And at its heart is the tragic, magnetic figure of Henry VII - controlling, paranoid, avaricious, with a Machiavellian charm and will to power.
Idiosyncratic filmmaker, novelist and architecture critic Jonathan Meades in discussion with fellow novelist and child psychologist Charles Fenryhough. Meades is publishing Museum Without Walls, the product of thirty years writing and thinking about places: their ingredients, how and why they were made, their capacity to illumine the societies that inhabit them and the ideas they foment. Charles Fernyhough's new book, Pieces of Light, examines the neuroscientific basis of memory and how it makes us the people we are. Expect an intellectually no-holds-barred exploration of how we invent the outside world and it invents us. Chaired by John Mitchinson
Join the Wye & Usk Foundation trip around the Wye and its tributaries near Hay to see the rare and unusual creatures that live in the river, and to see what progress is being made to restore the run of salmon.
For all outdoors events and walks we recommend walking boots and warm and waterproof clothing. Please bring packed lunches.
Hay Festival runs for ten days with a packed programme of debates and conversations with poets and scientists, novelists and historians, artists and gardeners, comedians and musicians, film makers and politicians.
Hay Fever - our festival for families and children, runs across the ten days of the festival where children have the chance to meet and talk to their favourite writers and take part in workshops to create wonderful memories and develop new skills in imaginative thinking and self expression.
Hf2 is our festival for teenagers - with an awesome line-up featuring the movers and shakers of Young Adult writing, Hf2 is a mind-blowing experience for 13-plus.
We care passionately about our environment. Hay-on-Earth debates the latest thoughts on climate change and environmental awareness.
In 2006 we started the Hay-on-Earth Project to audit, address and change our ecological sustainability.
Hay Festival of Literature & the Arts Ltd is registered in England and Wales
Website by Surestate LtdWeb development by Weblingo
Company registration number 2258780
GB 826 3209 39
The Drill Hall, 25 Lion Street, Hay on Wye, HR3 5AD