He was talking to Stephanie Merritt, who described him as "the funniest, sharpest, smartest
chronicler of Irish life."
The interview could not have taken place at a more politically charged moment, after the historic
announcement of the Irish vote to repeal the eighth amendment on abortion. In light of this Doyle
recalled how he was part of the campaign against its introduction into the constitution, speaking of
the “self confidence and residual anger towards the Church” that built up to the vote and the
increasing surge in men and women sharing their stories surrounding the referendum.
Irish identity and culture – particularly its relationship with religion – was embedded in the
discussion from the beginning. It is a theme that permeates the Dublin-set novel and shapes the
experiences of its protagonist, Victor, who spends it haunted by “an appalling incident” and abusive
past. Although encompassing themes that are now familiar and more openly discussed,
Doyle explained that he wanted to tell the story in a different way, discussing the importance of
dialogue as a vital component of novel-writing and gateway to the construction of fully formed
characters.
He also emphasised the importance of providing younger generations with the “basic freedom” of
creativity, a cause championed through Doyle’s project "Fighting Words." This was particularly
meaningful on the subject of modern Irish identity as Doyle touched upon the diverse range of
nationalities and backgrounds encountered during his writing workshops, which he saw as signifying
a more outward-looking nation.
If you missed this, you may enjoy Event 97: Ian McEwan talks to Stig Abell, which takes place