The day after the première, members of the Welsh National Opera creative team and cast discuss their bicentenary production of Wagner’s great opera – a sublime confrontation between good and evil set on an epic symphonic scale.
Tracey Emin’s art is one of disclosure, using her life events as inspiration for works ranging from painting, drawing, video and installation, to photography, needlework and sculpture. Emin reveals her hopes, humiliations, failures and successes in candid and, at times, excoriating work that is frequently both tragic and humorous.
Emin’s work has an immediacy and often sexually provocative attitude that firmly locates her oeuvre within the tradition of feminist discourse. By re-appropriating conventional handicraft techniques – or ‘women’s work’ – for radical intentions, Emin’s work resonates with the feminist tenets of the ‘personal as political’. In Everyone I’ve Ever Slept With, Emin used the process of appliqué to inscribe the names of lovers, friends and family within a small tent, into which the viewer had to crawl, becoming both voyeur and confidante. Her interest in the work of Edvard Munch and Egon Schiele particularly inform Emin’s paintings, monoprints and drawings, which explore complex personal states and ideas of self-representation through manifestly expressionist styles and themes.
Tracey Emin was born in London in 1963, and studied at Maidstone College of Art and the Royal College of Art, London. She has exhibited extensively internationally including solo and group exhibitions in Holland, Germany, Japan, Australia and America. In 2007 Emin represented Britain at the 52nd Venice Biennale, becoming the second female artist ever to do so. That same year, Emin was made a Royal Academician and was awarded an Honorary Doctorate from the Royal College of Art, a Doctor of Letters from the University of Kent and a Doctor of Philosophy from London Metropolitan University. In 2011 she became the Royal Academy’s Professor of Drawing and in 2012, Queen Elizabeth II appointed her Commander of the Most Excellent Order of the British Empire for her contributions to the visual arts.
She talks to the editor of GQ magazine.
In 2000, the member countries of the United Nations set themselves a challenge: achieve the targets of the Millennium Development Goals by the end of 2015, to improve the lives of the world’s citizens. What’s next for our global ambitions, our post-2015 goals? How can we describe the world we want, to achieve sustainable development, track our progress and hold governments everywhere to account? The former head of statistics at UNESCO, an adviser to the United Nations, and the CEO of Oxfam talk to Hetan Shah, the chief executive of the Royal Statistical Society.
Revered by ancient Egyptians, tortured by Medieval Catholics, cats have been human companions for thousands of years. Animal behaviour expert, Bradshaw explores cat history and behaviour from swivelling whiskers to talking tails – you’ll never look at your cat the same again.
Is erotica changing the literary landscape? Gemmell (The Bride Stripped Bare), Magnanti (Belle de Jour series, televised as Secret Diary of a Call Girl) and Moyes (Me Before You) talk to Kelsey, GH contributor and ex-editor of Cosmopolitan. We’ve been going to bed with them for years. Isn’t it time we were seen together in public?
Waterloo was the climactic showdown between the military giants of the age, Napoleon and Wellington, who faced each other for the first and only time across the sodden rolling Belgian farmland south of Brussels on the morning of Sunday 18 June 1815. More than 150,000 French, British, Dutch and Prussian soldiers fought an epic, bloody and decisive encounter that ended the Napoleonic Wars and led to Bonaparte’s final abdication and decades of international peace in Europe.
Peter and Dan Snow tell the story of Napoleon’s 100 Days Campaign, from his Elba escape to his defeat at Waterloo. Their book, The Battle of Waterloo Experience, provides what no other book on the battle contains – removable facsimiles of historic archival documents. You can relive this extraordinary moment in history by holding and examining rare or previously unpublished sketch maps, letters, orders, official papers and proclamations which up until now have been filed away in the National Army Museum’s collections or in other archives and museums around Europe.
Get close to the action by reading the campaign journal of a colonel of Hussars, the Duke of Wellington’s handwritten orders to the commander defending the farm of Hougoumont, the poignant letters written to family and loved ones by officers and men shortly after the battle, the paybook of a soldier of Napoleon’s Imperial Guard, and The Times of 22 June 1815, containing a complete transcript of Wellington’s renowned Waterloo Dispatch.
The RSC’s Christmas production is JM Barrie’s classic tale of the boy who never grows up, adapted in a spectacular new version by Ella Hickson. Here Ella talks about how she approached the story, what new twists she has brought to it and some of the things that happen to Wendy during the story.
Why, when so many women are involved in reading, writing and publishing books, are female writers so consistently under-represented in prizes and reviews? What can be done about the problem? Join Kamila Shamsie, author of six novels including the 2015 Bailey's Prize shortlisted A God in Every Stone and Orange Prize shortlisted Burnt Shadows and Philip Jones, Editor of The Bookseller to discuss the gender bias in literature as well as some radical solutions as to how to fix it. A National Conversation debate chaired by Chris Gribble (Writers’ Centre Norwich).
Follow the pre-event warm-up and discussion on writerscentrenorwich.org.uk/thenationalconversation.aspx and on Twitter using #NatConv.
The whimsical world of undertaker Wilfred Price springs to glorious life in the second chapter of Wendy Jones’ enchanting Welsh odyssey. Entertaining popular fiction at its best. In conversation with Andy Fryers.
From volcanoes to nanotechnology, four researchers talk about what we are only just finding out. Chaired and introduced by Nobel Prize-winning geneticist, John Sulston FRS.
Tharoor is a renowned politician and author of The Great Indian Novel, Pax Indica and From Midnight to the Millennium. His latest collection of essays, written during Narendra Modi’s premiership, is India Shastra: Reflections on the Nation in Our Time. Faleiro is author of Beautiful Thing and 13 Men – a report on gang rape in West Bengal. Chaired by Oliver Balch.