Join us to celebrate this prestigious literary prize for writers aged 39 and under, as Fiona McFarlane, 2017 International Dylan Thomas Prize winner talks to Dai Smith, Chair of the judges. The shortlist for this year’s prize is: Anuk Arudpragasm The Story of a Brief Marriage; Alys Conran Pigeon; Luke Kennard Cain; Fiona McFarlane The High Places; Sarah Perry The Essex Serpent; Callan Wink Dog Run Moon: Stories.
Welsh introduces his elegant, electrifying novel, which marks the return of one of modern fiction’s most infamous, terrifying characters, the incendiary Francis Begbie from Trainspotting. Welsh talks about gangland violence, drug culture and the vitality of language with the Man Booker prize-winning author of A Brief History of Seven Killings.
The great novelist, author of Dirt Music and Cloudstreet, is publishing two non-fiction books. Charged with love for the huge, besieging force of Australia’s wild spaces, Island Home: A Landscape Memoir is a passionate call for their conservation. His deeply personal The Boy Behind the Curtain: Notes from an Australian Life shows how moments from his childhood and life growing up have shaped his views on class, faith, fundamentalism, the environment, and literature.
In 2016 over 50 organisations came together across the UK to produce and publish the second State of Nature report. It shows that the UK is one of the most nature-depleted countries in the world. The long-term future of farming is at stake if the natural systems on which it is based are depleted. Our panel looks at what the next 30 years could look like if the natural environment was placed at the centre of farming policies post-Brexit. Poet Martin Daws will open and close this event.
Do our workplaces promote health and well-being? And, if they did, what difference would it make? Dame Carol Black is an Expert Adviser to the Department of Health, the Chair of Nuffield Trust, the leading independent advisory body for healthcare policy in the UK, and the Principal of Newnham College. She was author of a 2008 report for the government on well-being at work.
The prayer book’s history is one of passionately contested revision and of manic sensitivity to a verb or a turn of phrase. In the book’s ambiguities and fierce contestations, Swift argues, William Shakespeare found the ready elements of drama. Tracing the prayer book’s lines and motions through As You Like It, Hamlet, Twelfth Night, Measure For Measure, Othello, and particularly Macbeth, he redirects scholarly attention to the religious heart of Shakespeare’s work and time.