Michael Ramsey Prize shortlisted authors, Victor Lee Austin, Luke Bretherton, John Gillibrand, Paula Gooder, Michael Lodahl and Thomas Yoder Neufeld share the experience of being nominated for one of the world’s most prestigious theology prizes and explain what their titles contribute to the world of contemporary theology.
Horsemeat, Schmallenberg disease, fuel costs, drought, floods… From preventing food riots to maintaining the environment, how does our primary industry square up to the challenges ahead? Rural commentator Rob Yorke discusses with Editor of The Land Simon Fairlie, Young Farmers Chair Milly Wastie and the NFU’s Conor Colgan.
The whimsical world of undertaker Wilfred Price springs to glorious life in the second chapter of Wendy Jones’ enchanting Welsh odyssey. Entertaining popular fiction at its best. In conversation with Andy Fryers.
Tracey Emin’s art is one of disclosure, using her life events as inspiration for works ranging from painting, drawing, video and installation, to photography, needlework and sculpture. Emin reveals her hopes, humiliations, failures and successes in candid and, at times, excoriating work that is frequently both tragic and humorous.
Emin’s work has an immediacy and often sexually provocative attitude that firmly locates her oeuvre within the tradition of feminist discourse. By re-appropriating conventional handicraft techniques – or ‘women’s work’ – for radical intentions, Emin’s work resonates with the feminist tenets of the ‘personal as political’. In Everyone I’ve Ever Slept With, Emin used the process of appliqué to inscribe the names of lovers, friends and family within a small tent, into which the viewer had to crawl, becoming both voyeur and confidante. Her interest in the work of Edvard Munch and Egon Schiele particularly inform Emin’s paintings, monoprints and drawings, which explore complex personal states and ideas of self-representation through manifestly expressionist styles and themes.
Tracey Emin was born in London in 1963, and studied at Maidstone College of Art and the Royal College of Art, London. She has exhibited extensively internationally including solo and group exhibitions in Holland, Germany, Japan, Australia and America. In 2007 Emin represented Britain at the 52nd Venice Biennale, becoming the second female artist ever to do so. That same year, Emin was made a Royal Academician and was awarded an Honorary Doctorate from the Royal College of Art, a Doctor of Letters from the University of Kent and a Doctor of Philosophy from London Metropolitan University. In 2011 she became the Royal Academy’s Professor of Drawing and in 2012, Queen Elizabeth II appointed her Commander of the Most Excellent Order of the British Empire for her contributions to the visual arts.
She talks to the editor of GQ magazine.
Tharoor is a renowned politician and author of The Great Indian Novel, Pax Indica and From Midnight to the Millennium. His latest collection of essays, written during Narendra Modi’s premiership, is India Shastra: Reflections on the Nation in Our Time. Faleiro is author of Beautiful Thing and 13 Men – a report on gang rape in West Bengal. Chaired by Oliver Balch.
The investigative journalist and author lives under police protection from the crime syndicates he exposed and denounced in Gomorrah and ZeroZeroZero. He offers a personal and candid portrait of Italy today: a place of trafficking and toxic waste, where democracy is bought and sold, and organised crime rules both north and south.
From minding your Ps and Qs to wondering why X should mark the spot, Alphabetical is a book for everyone who loves words and language. Whether it’s how letters are arranged on keyboards or Viking runes, text-speak or zip codes, this book will change the way you think about letters forever.
Examining writing about the human experience of warfare. Evison discusses her award-winning account of the impact of the death of her young lieutenant son Mark, who had been serving in Afghanistan. Day’s novel Home Fires is a fictional account of two generations of a family dealing with the reality of war and loss. Chaired by Peter Florence and Steve Corry.