An extraordinary illustrated synthesis of essays by the world’s leading historians about their own countries’ forging of identities. Each one attempts to define the characteristics that embody its sense of nationhood. The countries, large and small, have been selected to represent every continent and every type of state, and range from mature democracies to religious autocracies and one-party states.
Behind Daniel lie the mud, barbed-wire entanglements and terror of the trenches. Behind him is also the most intense relationship of his life. Set during and just after the First World War, The Lie is an enthralling, heart-wrenching novel of love, memory and devastating loss.
There is a burgeoning literature on end-of-life writing, on grief, bereavement and memorial. Edmund de Waal talks about mortality and how it is reflected across different genres and art-forms from the poetry of Anne Carson and Max Porter, the memoirs of Paul Kalanithi and Marion Coutts, to the writings of Atul Gawande and Julia Samuel. He will also discuss his own porcelain installations and collaborations that explore ideas of memorial. The Wellcome Book Prize lecture aims to celebrate the place of medicine, science and the stories of illness in literature, arts and culture, and how these stories add to our understanding of what it means to be human. Edmund De Waal, chair of judges for the 2018 prize, is an artist and writer, author of The Hare with the Amber Eyes and The White Road.
More people are going to university in Britain than ever before, and they’re paying to do so. But are the institutions themselves fit for purpose? How could they be better? Horrocks is the new Vice Chancellor of the Open University, Grayling is Master of the independent New College of the Humanities in London, Churchwell is Professor for the Public Understanding of the Humanities at UEA, Usher is the co-leader of the newest university in Britain, the New Model in Technology and Engineering in Hereford.
An introspective and revealing look at the nature of the creative process. This is not a ‘how to’ book in any sense: Peter Korn wants to get at the ‘why’ of craft in particular and the satisfactions of creative work in general to understand their essential nature. Korn is a furniture-maker and is founder and Executive Director of the Centre for Furniture Craftsmanship.
What makes a great screenplay? Structure? Dialogue? Can it take us places a novel can’t reach? Francine Stock of The Film Programme, Tim Robey, The Telegraph film critic, Oscar-winning (Gladiator) playwright of Mandela, Shadowlands and Les Miserables, Bill Nicholson and the legendary director and screenwriter of Withnail and I, Jennifer 8 and The Rum Diaries debate the strengths of their favourite film scripts and recommend a top ten screenplays of all time list. To join the conversation and make your own arguments for favourite movie scripts, please post on Hay Festival’s Facebook page or Twitter @hayfestival #nobodysperfect.
Detailing all the buildings of significance in the historic counties of Montgomeryshire, Radnorshire and Breconshire, this final volume of the Pevsner Buildings of Wales series details hill-forts, ruined castles, medieval churches, manor houses and industrial buildings. In conversation with Justin Albert, Director of National Trust Wales.
Due to popular demand, a repeat of this event will take place on Sunday 1 December at 3.30pm – please see event 52.
This year’s lecture is given by the editor of the best-selling and fabulous anthology Poems That Make Grown Men Cry. 100 men – distinguished in literature and film, science and architecture, theatre and human rights – confess to being moved to tears by poems that haunt them. Representing twenty nationalities and ranging in age from their early 20s to their late 80s they admit to breaking down when ambushed by great art, often in words as powerful as the poems themselves.