A Ghanaian poet, novelist, editor, social commentator and broadcaster, Nii is an inspirational writer. Join him for this poetry workshop as he takes you through structure, metaphor and imagery to discover the similarities and differences between poetry and rap/hip hop.
Many people consider freedom of expression as a universal right that must not be compromised. In an age of cultural relativism and complex relations between religion, culture and the state, what is the right way to move forward on this debate? Three international heavyweights, Baroness Helena Kennedy (UK), Fawaz Traboulsi (Lebanon) and Hanif Kureishi (UK) discuss with John Kampfner.
Event in English
Barkham delves into the fascinating natural and rich cultural history of the animal – from their prehistoric arrival in Britain to their savage persecution over the centuries, the cuddliness of Kenneth Grahame’s Wind in the Willows character and the cull of 2013.
One of the world authorities on medieval children and schools examines the poetry and stories of the middle ages, the myths and the legends. Chaired by Simon Mundy.
The hairiest family in Teddington are back for a further adventure and this time they decide to take a well-earned holiday by the seaside with all their relatives in tow. But can they stay hidden on a camping holiday? Join the authors as they introduce their exceptional family’s latest escapade in storytelling and live drawing.
The Newsnight presenter takes us behind the camera and onto the newsroom floor: “The things that are said on camera are only part of the story. Behind every interview there is a backstory. How it came about. How it ended. The compromises that were made. The regrets, the rows, the deeply inappropriate comedy. Making news is an essential but imperfect art. It rarely goes according to plan.
I never expected to find myself wandering around the Maharani of Jaipur’s bedroom with Bill Clinton or invited to the Miss USA beauty pageant by its owner, Donald Trump. I never expected to be thrown into a provincial Cuban jail, or to be drinking red wine at Steve Bannon’s kitchen table or spend three hours in a lift with Alan Partridge. I certainly didn’t expect the Dalai Lama to tell me the story of his most memorable poo.
The beauty of television is its ability to simplify. That’s also its weakness: it can distil everything down to one snapshot, one sound bite. Then the news cycle moves on.”
Nothing can quite prepare you for the hells and joys of fatherhood, but Brian’s fabulous stories will be a consolation, a guide and a friendly treasure.
On 11 September 1973, President Salvador Allende of Chile, Latin America’s first democratically elected Marxist president, was deposed in a violent coup d’état. The Colombian historian explains why and how business leaders in Chile, extreme right-wing groups, high-ranking officers in the Chilean military and the US administration, and the CIA worked together to secure a prompt and dramatic end to his progressive social programme.
With its taut narrative and its wincingly visceral portrait of a man locked in an uneven struggle with the forces of nature, Jones’s Cove is a powerful new work from one of the most distinctive voices in British fiction. Jufresa’s Umami is a quietly devastating novel of missed encounters, missed opportunities, missed people, and those who are left behind. Compassionate, surprising, funny and inventive, it deftly unpicks their stories to offer a darkly comic portrait of contemporary Mexico, as whimsical as it is heart-wrenching.
We explore AI’s history, technology and potential; its manifestations in intelligent machines; its connections to neurology and consciousness, as well as – perhaps most tellingly – what AI reveals about us as human beings. Zarkadakis is the author of In Our Own Image: Will Artificial Intelligence Save or Destroy Us?
Mungo, a cheeky monkey, and Claude, a rather stylish dog, are brought to life alongside a host of colourful characters in this live drawing session with two of our favourite illustrators. Paper and pencils provided so everyone can join in.
Morris’ intimate journals unconsciously explore questions of travel, noting his reaction to the idea of leaving or arriving, to hurry and delay, what it means to dread a place you’ve never been to or to encounter the actuality of a long-held vision. Poet Lavinia Greenlaw draws out these questions as she follows in the footprints of Morris’ prose, responding to its surfaces and undercurrents, extending its horizons. The result is a new and composite work, which brilliantly explores our conflicted reasons for not staying at home. Chaired by William Sieghart.
When you stand in front of a work of art in a museum or exhibition, the first two questions you normally ask yourself are 1) do I like it? and 2) who’s it by? When you stand in front of a work of art in an auction room or dealer’s gallery, you ask these two questions followed by others: how much is it worth? how much will it be worth in five or ten years’ time? and what will people think of me if they see it hanging on my wall? A wry, intimate, and revealing exploration of how art acquires its financial value, from a senior director at Sotheby’s. Chaired by Hannah Rothschild.