We want to believe that there are some things we would never do. We want to believe that there are other things we always would. But how can we be sure? What are our limits? Do we have limits? The human rights lawyer examines the best and worst of our capabilities.
The author of The Boy In The Striped Pyjamas and The Absolutist introduces his new novel. Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night…
The makings of the man from a North London suburb into one of the most charismatic, voluptuary sensibilities of the C20th arts world. Strong has a revolutionary style of museum directing, ahead-of-trend fashion elegance, a wicked diary style and an inspiring way with history.
While some scientists in Nazi Germany tried to create an Aryan physics that excluded any ‘Jewish ideas’, many others made compromises and concessions as they continued to work under the regime. Ball examines the records of Max Planck, Peter Debye and Werner Heisenberg.
The war for Alexander The Great’s empire among his successors lasted forty brutal, destructive years and also saw an astonishing cultural boom. A new world emerged from the dust and haze of battle – the world of Hellenistic Greece. Hosted by Oliver Balch.
The children’s radio show, Down the Rabbit Hole comes to Hay live. Four top illustrators will be talking about their favourite books from the prize’s history, the illustrators who have inspired them, and the power of pictures in children’s books. The event will include live-drawing and the chance to share your own favourite illustrated books.
A searing modern polemic on race in the UK, from the MOBO award-winning poet, musician and outspoken political commentator, founder of The Hip Hop Shakespeare Company. In his memoir Natives he speaks directly to British denial and squeamishness when it comes to confronting issues of race and class that are at the heart of the legacy of Britain’s racialised empire. Chaired by Claire Armitstead.
The Magnum photographer took one of the most powerful photographs of the twentieth century - the “tank man” in Tiananmen Square, Beijing, 1989. From his insightful position as a photographer, Franklin explores why we are driven to visually document our experiences and the world around us. He focuses on photography but traces this universal need through art, literature and science. Looking at photojournalism, war photography and work recording our culture, Franklin identifies some of its driving impulses: curiosity, outrage, reform and ritual; the search for evidence, for beauty, for therapy; and the immortalisation of memory. Chaired by Oliver Bullough.
The composer and librettists of the WNO’s groundbreaking new opera introduce their adaptation of David Jones’ classic First World War poem and screen film clips of the production. Bell’s beautiful score combines traditional Welsh song with moments of other-worldliness, terror, humour and transcendence. David Pountney’s period production is both an evocation and a commemoration of the events of the Somme.