Sutherland, who holds the Miriam Rothschild Chair in Conservation Biology at the Department of Zoology, Cambridge University, will describe attempts to make global evidence available to all, to improve the effectiveness of experts and to change attitudes toward the use of evidence.
The 1992 Earth Summit in Rio de Janeiro produced a document called Agenda 21, a blueprint for saving Planet Earth. For the next two years, thousands of children and young people from almost 100 countries worked together in an extraordinary effort to design, write and illustrate a youth version of Agenda 21, called Rescue Mission Planet Earth. Twenty-five years later, we discuss the impacts, legacy and future of the actions undertaken and the key people involved. Rescue Mission editor Danijela Zunec Brandt, Global Optimism’s Marina Mansilla, local school strike organiser, Rosa Lynas and Peace Child International’s David Woollcombe talk to Andy Fryers.
Humor, ironía y política, ¿pueden ir en la misma frase? Para analizar la caricatura política reunimos al caricaturista Bonil (Ecuador), galardonado con premios como el World Language Contest, y al caricaturista e ilustrador José Hernández (México), uno de los fundadores de la revista satírica El Chamuco, caricaturista diario en el periódico La Jornada y autor de la novela gráfica Che: una vida revolucionaria. En conversación con Diego Rabasa, editor y escritor.
What is the potential of complex, ambiguous, wordless picture books and short films as springboards for children’s critical and creative discussions about the world and how we live together in it? Fiona Maine is a lecturer in literacy education at Cambridge University.
For the Spanish neurologist, Jordi Montero, who in 2017 published the book Permiso para quejarse, what is behind chronic pain is emotion. We do not take into consideration our own culture when we have physical pain treated, nor do we listen to our own bodies. From a rigorous and optimistic point of view, this doctor has helped us to understand ourselves as humans and our reality, based on neurology and the relationship between the brain and pain. He will talk about these matters with the intellectual and Minister of Health and Social Protection. He will talk with journalist Hassan Nassar.
Historically often considered as worthless morasses, peat bogs cover three per cent of the world’s land surface. They are unique records of history and today they are recognised as beautiful habitats providing environmental benefits from biodiversity to climate regulation. However, they are threatened by drainage, land reclamation for agriculture and peat cutting for fuel, which has significantly reduced the extent and condition of these ecosystems on a global scale. Transforming the management of wetland, peatland and waterlogged sites is crucial. Henry Chapman is Professor of Archaeology at the University of Birmingham and is a regular guest on archaeological programmes including C4’s Time Team.
A conversation with two very experienced and acclaimed writers venturing for the first time into fiction. Loudon’s My House is Falling Down is a vivid and compelling novel about a modern love triangle that asks some provocative questions: what happens when you tell the whole truth in marriage? Is it still infidelity if nobody lies? Can you really love two people at once? Rahim’s Asghar and Zahra is a funny, sympathetic and very human novel about the first year of a marriage, and the difficulties of reconciling the sometimes conflicting demands of family, religion and society.
The historian presents a lavish introduction to the Elizabethan aesthetic. Beginning with the great portrait of the Queen in grand procession with her Garter Knights, Strong explores chivalry, the changing structure of society, the complexities of imagery and heraldic symbols, and the richness of the Elizabethan imagination. Significantly, these paintings were personal commissions by private individuals and not for public viewing, so they speak volumes about the people who commissioned, painted and saw them. Strong was Director of the National Portrait Gallery 1967–1973 and of the Victoria & Albert Museum 1974–1984.