Dystopian futures, weird science, war. It’s all here. Be challenged, engaged and entertained with three uncompromising writers for young adults – Gemma Malley, Caroline Green and Phil Earle.
The three writers talk about why we love the dark side of life – at least in our stories. What would happen if everything was really awful? It seems to be our favourite topic. And some really awful stuff happens in all these books…
Gemma Malley’s dystopian trilogy began with the much praised The Killables and is followed by The Disappeared. Citizens of The City are graded according to how ‘Pure’ they are. Those labelled ‘K’ are deemed the most deviant and are never seen again… What happens to them, and what is happening beyond the perimeter of The City?
Caroline Green’s futuristic thriller, Cracks, was published to rave reviews. It has a very likeable protagonist whose whole past is beginning to look like fiction. Could he really be the subject of a weird scientific experiment? If he can’t even believe his own memories, what can he trust?
Phil Earle’s background working with troubled teens informed his novels Being Billy and Saving Daisy – stories of young people trying to cope with big problems in their lives which touched a chord with many readers. Heroic is also a tale of troubled lives, but this time it is the lives of young soldiers fighting in Afghanistan that take centre stage, and the difficulties a family has to cope with when a much loved brother comes home a very different person to the one who left.
In AD 476, Romulus Augustulus, Emperor in line to Augustus, Trajan and Constantine, was deposed by a German chieftain. It is an event that in most history books is identified as marking the end of the Roman Empire. But did it? The historian explores whether the Romans themselves had any comprehension that their empire could possibly fall. He traces the surprisingly obdurate survival of a Roman imperial identity across the centuries, and attempts to identify a moment in history when the Roman Empire could be said definitively to have come to an end.
What is autism? A lifelong disability, or a naturally occurring form of cognitive difference akin to certain forms of genius? In truth, it is both of these things and more,; and the future of our society depends on our understanding it. The winner of the 2015 Samuel Johnson Prize talks about his research and investigations. Chaired by Stuart Proffitt.
Two novels explore the disturbance of the past. Healey’s Elizabeth is Missing is both a detective story and a haunting depiction of dementia. The characters in Murray’s Sugar Hall probe the secret history of a Forest of Dean mansion. Chaired by Sameer Rahim.
The oracle and sanctuary of the Greek god Apollo at Delphi were known as the omphalos – the centre or navel – of the ancient world for more than a thousand years. Individuals, city leaders and kings came from all over the Mediterranean and beyond to consult Delphi’s oracular priestess; to set up monuments to the gods in gold, ivory, bronze, marble and stone; and to take part in athletic and musical competitions.
What do you do when a girlfriend’s 60th birthday party is the same day as your boyfriend’s 30th? Does the Dalai Lama actually Tweet or is it his assistant? Is sleeping with someone after 2 dates and 6 weeks of texting the same as getting married after 2 meetings and 6 months of letter writing in Jane Austen’s day? Pondering these, and other modern dilemmas, Bridget Jones stumbles through the challenges of single-motherhood, Tweeting, texting and rediscovering her sexuality in what SOME people rudely and out-datedly call ‘middle age’.
What is the role of the writer in a deeply divided sectarian society? How does the writer ‘speak truth to power’ in such a society? And how does he or she contribute to the transformation of consciousness? How can writers exit their individualities and enter into a larger national space?
Event in Arabic