An unmissable line-up of award-winning YA talent, including Anne Cassidy whose new book Finding Jennifer Jones is the long-awaited sequel to the sensational Looking for JJ, Keren David, whose novel Salvage is receiving rave reviews, and Sally Nicholls, author of the award-winning bestseller Ways To Live Forever, whose new book Close Your Pretty Eyes, a dark psychological thriller, is out now. A lively conversation ranging across themes of identity, belonging, and social and personal responsibility in YA fiction.12+ years (YA)
The online Everyday Sexism Project exists to catalogue instances of sexism experienced by women on a day-to-day basis. It shares stories from women around the world. The founder reports on the last year’s work.
Few would dispute that we live in an unequal and unjust world, but what causes this inequality to persist? Dorling, author of Inequality and the 1%, examines who is most harmed by these injustices and why, and what happens to those who most benefit. O’Hara, author of Austerity Bites, takes us on a journey to the sharp end of the cuts in the UK. Hard-hitting and uncompromising in its call to action, this analysis is essential for everyone concerned with social justice.
Energy generation has to take place somewhere – what would you prefer in your backyard? Is policy determined by those who shout loudest rather than those with the strongest argument? What would it take for communities to say yes rather than no to new energy developments? Robert Llewellyn is an actor, comedian and author, Kate Henderson is CEO of the Town and Country Planning Association and Juliet Davenport is founder and CEO of Good Energy. They talk to journalist and author Oliver Balch.
How does the larynx produce sound? How does it control the pitch of the voice? And how are the throat and mouth manipulated to alter vocal register and quality? The wonders of the human voice – from the lost sound of the castrato voice and the ethereal tones of Mongolian throat singers to Bryn Terfel shaking the rafters of St David’s Hall. With sound recordings, video clips, animations and images.
The historian was set alight by Shakespeare’s muse of fire when he first saw Henry V as a child. He examines Shakespeare’s making of the myths of England. He hymns the Histories, the kings and the commoners, the band of brothers, and the spirit of Shakespeare’s greatest knight, Sir John Falstaff.
A conversation between two writers renowned for their explorations of nature and landscape. Robert Macfarlane's Underland, perhaps the most eagerly anticipated non-fiction book of 2019, takes us on a journey into the worlds beneath our feet. From the ice-blue depths of Greenland's glaciers to the underground networks by which trees communicate, from Bronze Age burial chambers to the rock art of remote Arctic sea-caves, this is a deep-time voyage into the planet's past and future, and into darkness and its meanings. Global in its geography, gripping in its voice and haunting in its implications, it is both an ancient and an urgent work.
Macfarlane, a winner of the Hay Festival Prose Medal, is the author of Mountains of the Mind, The Wild Places, The Old Ways, Landmarks and (with Jackie Morris) The Lost Words. Horatio Clare’s latest books are The Light in the Dark and Something of his Art: Walking to Lübeck with JS Bach – Hay Festival’s Book of the Month for December 2018.
See also event  on 29 May – Spell Songs, a musical performance of The Lost Words – Macfarlane's multi-award-winning collaboration with the artist Jackie Morris.
The novelist talks about his writing and reading, and the translation of his books into film. The movie of On Chesil Beach is released on 18 May. Towards the end of this event McEwan will introduce the winner of the 2018 Deborah Rogers Foundation Writers’ Award, Deepa Anappara. Her winning entry is a work of fiction called Djinn Patrol on the Purple Line.
Through the 25 stories in Swift’s most recent anthology, we are steered effortlessly from the Civil War to the present day, from world-shaking events to the secret dramas lived out in rooms, workplaces, homes. With his remarkable sense of place, he charts an intimate human geography and, in doing so, he moves us profoundly, but with a constant eye for comedy. He reads from the collection and discusses his work with Peter Florence.