WINNER OF THE 2015 BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION
A conversation with the prolific master storyteller whose latest books are the comic masterpiece Fatty O’Leary’s Dinner Party, The Novel Habits of Happiness in his Isabel Dalhousie series, the 15th Ladies No.1 Detective Agency book The Handsome Man’s Deluxe Café and the gorgeously romantic The Forever Girl.
How can data be used to help drive behaviour change, increase performance and make radical the new normal? With speakers from the world of technology and smart data analysis. Ben Southworth, Deputy Chief Exec at Tech City Investment Organisation, Chris Parker, Head of Geovation, Ordnance Survey and chaired by TYF’s Director Andy Middleton.
Rosa María Calaf, former correspondent for Spanish broadcaster TVE and president of the Barcelona International Press Centre, Olga Rodríguez, a journalist and writer who specialises in the Middle East and Mayte Carrasco, a reporter in conflict zones (Telecinco television network and the newspaper Público) and researcher at the IECAH (Instituto de Estudios sobre Conflicto y Acción Humanitaria – Institute of Studies on Conflicts and Humanitarian Action), will talk about journalism, women and wars with the journalist Aurelio Martín.
Artist, writer, acute analyst, astonishing instigator, aware of what surrounds him, original, unclassifiable, Eduardo Arroyo is internationally recognised as one of the greatest exponents of Spanish culture. He speaks with Jesús Ruiz Mantilla about art, politics and history. As a voluntary exile Arroyo has been a witness to the civil uprising in Paris in May 68 and to the diatribes of the eternal Italy which he experienced in the seventies until his return to the establishment rocking ¨movida¨ in Spain. He is still a witness to the current Spain, with all of its wounds. They will read their texts.
Co-organised with the Biblioteca Nacional de España, with the collaboration of Fundación del Banco Sabadell.
The amazing story of Ffion Rees and the peregrine falcon she rescued from the sea off the remote coast of west Wales. It’s the story of how Ffion nursed the falcon back to life and back to the wild, and about the bond that grew between the two. Beautifully illustrated throughout with photographs, drawings, sketches and magnificent paintings in watercolour and gold leaf by Jackie Morris.
On 31 May 1922 the Hay solicitor was hanged, having been found guilty of murdering his wife with arsenic. To celebrate the republication of Martin Beales’ Dead Not Buried three QCs examine his conviction. You, the jury, will decide.
The Scottish novelist celebrates the 20th anniversary of his iconic book, and discusses his recently-published prequel Skagboys.
Lisa reprises her performance of Samuel Beckett’s play Not I, which she performed to rave reviews earlier this year at London’s The Royal Court. Followed by Q&A session with Elizabeth Hunt.
‘It was a privilege to hear her’ – 5-star review from Lyn Gardner, The Guardian.
On the 50th anniversary of the last execution to take place in the UK, Malkani, a lecturer at Birmingham Law School, discusses why we are better off without the death penalty and why British efforts to promote the worldwide abolition of capital punishment should be supported. UN statistics suggest the five countries with the highest number of state executions annually are, in order, China, Iran, Iraq, Saudi Arabia and the United States of America.
Questions of masculinity have been at the heart of Sheers’ writing for 20 years, in his plays Mametz and The Two Worlds of Charlie F, in his fiction Resistance and I Saw A Man, and in his poetry – most clearly in Pink Mist. In 2012 he was also artist in residence with the Welsh Rugby Union. Here he interrogates ideas of masculinity in essay form, and reimagines a man’s world.
To celebrate Dylan's centenary, Owen Sheers explores the evolution of Thomas's poetic voice, from its early manifestation in his teenage notebooks, to his great mature poems of mortality and nostalgia. What is it about Thomas' poems that so caught, and continues to catch, the world's imagination? Why do so many cite classics like ‘Fern Hill’ and ‘Do Not Go Gentle’ as their favourite poems? And how did Dylan Thomas, alone at the page, go about composing these hymns of humanity which still, 100 years later, are so imbued with a timeless and universal resonance?