The author of What Matters in Jane Austen celebrates the bicentenary of the publication of Austen’s most politically engaged masterpiece.
The economic crisis offers an opportunity for capitalism to re-imagine itself again, to maximise efficiency, entrepreneurship and new sectors for growth. Chaired by Jesse Norman.
Liberated from the death camps of Auschwitz at the age of eleven, in adulthood Buergenthal became a judge at the International Court in The Hague, investigating modern day genocides. He returns to the festival with a new postscript to his memoir.
Why is the current monetary system broken and how can it be fixed? At the heart of the ongoing economic crisis is the fact that governments across the world have given the power to create money to the private corporations that we know as banks. It doesn’t need to be this way – the founder and director of Positive Money explains.
Slow Fiction is inspired by the predella, the sequence of four or five pictures under a Renaissance altarpiece that tell the story of the annunciation, the adoration, or the pietà. If the large altarpiece painting is one moment in time, the predella shows the moments leading up to that key frame and sometimes what happens after. The artist Paul St George works with writers, translating selections of their writing into small sequences of sculptures making three-dimensional stories. Two of the first authors to be excited by this new way of bringing readers to writing are Polly Stenham, author of Hotel, and Jessie Burton, author of The Miniaturist: ‘To see my written words reimagined for a different audience, giving another take on the story-telling process – what we omit, what we emphasise, and what we leave behind – in a newly-configured presentation, is a true thrill.’
McEwan’s new novel Machines Like Me takes place in an alternative 1980s London. Charlie, drifting through life and dodging full-time employment, is in love with Miranda, a bright student who lives with a terrible secret. When Charlie comes into money, he buys Adam, one of the first batch of synthetic humans. With Miranda’s assistance, he co-designs Adam’s personality. This near-perfect human is beautiful, strong and clever – a love triangle soon forms. These three beings will confront a profound moral dilemma. Ian McEwan’s subversive and entertaining new novel poses the fundamental question: what makes us human? Du Sautoy’s new book is The Creativity Code: How AI is learning to write, paint and think.
The 94-year-old author's creation celebrates its fiftieth anniversary this year. The writer discusses its enduring appeal and her long career as a writer and illustrator with the broadcaster, musician and novelist.
In 1902 HG Wells wrote ‘Humanity has come some way, and the distance we have travelled gives us some earnest of the way we have to go. All the past is but the beginning of a beginning; all that the human mind has accomplished is but the dream before the awakening.’ The astronomer boldly explores post-human evolution and offers a SWOT analysis of mankind’s short- and longer-term futures. He considers the risks of asteroid impact, climate change and, most worrying of all, the downsides of biotech, AI and other fast-advancing technologies. Chaired by Dan Davis.
There are huge differences in how childhood is experienced in various cultures. One central riddle, in particular, has captured Griffiths’ imagination: Why are so many children in Euro-American cultures unhappy – and why is it that children in many traditional cultures seem happier?
Valentine is the 2017 Hay Festival International Fellow, and a multi award-winning writer of YA fiction. She explores ways in which teenagers might be better understood and empowered. Her novels include Finding Violet Park and Fire Colour One. She is joined onstage by young readers to discuss her reformation of adolescence.
The esteemed fashion commentator has produced a sumptuous and comprehensive study of clothing design that explains from head to toe why and how we wear what we wear. He pays brilliant and fascinating attention to how the great couturiers work with human anatomy. Come and enjoy the clothes – and his conversation with the editor-in-chief of Mr Porter.