Hay is delighted to revisit the colourful Casson family as Hilary takes us back in time with her latest book, which once again shows the lightness of touch and warmth that has won over millions of fans. Chaired by Gaby Wood.
McCann’s masterpiece Transatlantic is a bravura weft of stories crossing between Ireland and the New World over 200 years. Boianjiu’s contemporary novel The People Of Forever Are Not Afraid conjures three Israeli girlfriends guarding physical and personal borders. Chaired by Ted Hodgkinson.
Emma Bridgewater’s patterns are as quintessentially British as marmalade on toast – and they have made her distinctive homewares best-sellers across the world. Her inspiration is often deeply personal – a plate of belonging to her mother’s, a favourite children’s book – and as she tells the stories of each pattern’s creation, she reveals the intricate processes of research and collaboration behind the familiar designs she has stamped on our kitchenware – and our hearts – for the past 30 years. Chaired by Kitty Corrigan.
Godfrey champions a radical vision, not only for the delivery through state and independent sector schooling, but for the very purpose of education in the UK.
Godfrey is one of the most highly regarded educationalists in Britain. He chairs England’s representative body for all sixth form colleges, the Council of the Sixth Form Colleges Association, and for 18 years has been Principal of Hereford Sixth Form College – the TES college of the year. Chaired by Peter Florence.
Get the gift of the gab and add vim to your vocab with these lively linguists. A must for budding writers!
Frank McGuinness, the playwright and poet, author of The Factory Girls and the screenplay of Dancing At Lughnasa, and Nerys Williams, a native Welsh speaker and recipient of a Fulbright Scholar’s Award at UC Berkeley, whose latest book is entitled Sound Archive, read from their collections of poetry.
The historian analyses the Great War and asks: was the sacrifice worth it? Was it all really an inevitable cataclysm and were the Germans a genuine threat? Was the war, as is often asserted, greeted with popular enthusiasm? Why did men keep on fighting when conditions were so wretched? Was there in fact a death wish, driving soldiers to their own destruction? In the Great War’s centenary year, the historian offers a provocative analysis: that going to war in 1914 was the biggest mistake in British history.
The well-known landscape artist Martha Schwartz, Honorary Fellow of RIBA, design consultant to the Mayor of London and lecturer at the Harvard GSD, talks to Martha Thorne, executive director of the Pritzker Prize and city planning professor.
Simultaneous translation from English into Spanish.