Two epic and violent stories. Two brutal wars. Two very different worlds. Will Hill and Richard Kurti will talk about the complex worlds they have created and why they don’t flinch from violence.
Battle Lines is the third instalment in Will Hill’s Dept 19 series – a fantastic mix of sci-fi, horror and sheer action adventure, set in a complex and deeply imagined world. Dept 19 exists to hunt and kill demons and vampires. In Battle Lines, the very existence of humanity is at stake. War is unavoidable.
Monkey Wars is a challenging and unflinching look at the politics of power from screenwriter Richard Kurti. As the Langur monkeys rise to power, there is a brutal masscacre of Rhesus monkeys which drives them out of their homes. One young Langur stands up against the corrupt regime, but when monkeys turn on each other, there can be no survivors.
Find out how these writers create such believable worlds and why they embrace extremes.
Imagine you’re a sausage. You are in a frying pan, happily sizzling away with other like-minded sausages. Then one of them starts to tell you about tomato ketchup. You refuse to believe your friend’s stories but later you find yourself being dipped head first into that tangy, tomatoey joy. And then you realise that yes – ketchup is true. Watching James Campbell is a bit like that. But there aren’t any sausages involved. Or ketchup.
In 2007 Sophie Lancaster was attacked in a park because of her appearance. Writer and poet Simon Armitage was so affected by her story that he and his producer Susan Roberts decided to make it into a drama documentary for Radio Four. The result was a profoundly moving piece of work combining specially written poems with an interview with Sylvia, Sophie’s mother. Black Roses was met with critical and public acclaim and subsequently turned into a play for Manchester Royal Exchange. Now in its third incarnation it has been turned into a film and will feature in the BBC’s forthcoming poetry season. Cassian Harrison, controller of BBC Four, talks to Simon and Susan about the challenges of making the film and its journey from radio to stage and now to screen.
Not for broadcast.
Why is the human female the only female animal to have curves, and how do these curves rule our lives by influencing not only sexual selection but also social hierarchy and self-image? The Clinical Veterinary Anatomist at the University of Cambridge applies the science of evolutionary biology and cutting-edge psychology to the female shape. Chaired by Sarah Crompton.
The team who gave The Verdict on the last Labour administration audit the devastating effectiveness of the Coalition government. ‘Margaret Thatcher sold off the nationalised industries. Her political heirs are intent on leaving an even more radical legacy – selling off the state itself.’
The eminent art historian explores the role of space and the interior, and the battle between intimacy and monstrosity, in Picasso’s art of the 1920s and 1930s, from the Blue Room to Guernica.
Getting to grips with the energy sector, new technologies and moving to a low-carbon supply – Mark Shorrock, Chief Executive of Tidal Lagoon Power, and Patrick Begg, the National Trust’s energy expert discuss with Hay on Earth Director Andy Fryers.
A conversation with the legendary British cyclist, gold medallist in the Barcelona Olympics, Tour de France hero, and latterly the backroom ‘marginal gains’ genius of British cycling in his role as head of the R&D team, The Secret Squirrels.
Taneja's debut novel We That Are Young sets Shakespeare’s King Lear in contemporary India, where the clash of youth and age, the rise of the religious right wing, the repression of free speech and civil conflict in Kashmir are ongoing. She discusses the hidden history, politics and urgent contemporary relevance of Shakespeare’s plays in India. Chaired by Anil Dharker, Founder & Director of Tata Literature Live! the Mumbai LitFest