For centuries the ancient Greeks experimented with ways of representing the human body, both as an object of beauty and a bearer of meaning. The remarkable works of art in the British Museum’s blockbuster exhibition range from the abstract simplicity of prehistoric figurines to breathtaking realism in the age of Alexander the Great. The exhibition’s curator introduces the images and sculptures, with co-curator Celeste Farge.
The team who gave The Verdict on the last Labour administration audit the devastating effectiveness of the Coalition government. ‘Margaret Thatcher sold off the nationalised industries. Her political heirs are intent on leaving an even more radical legacy – selling off the state itself.’
Imagine you’re a sausage. You are in a frying pan, happily sizzling away with other like-minded sausages. Then one of them starts to tell you about tomato ketchup. You refuse to believe your friend’s stories but later you find yourself being dipped head first into that tangy, tomatoey joy. And then you realise that yes – ketchup is true. Watching James Campbell is a bit like that. But there aren’t any sausages involved. Or ketchup.
The triumphant, concluding volume in David Crystal’s trilogy on the English language combines the first history of English punctuation with a complete guide on how to use it. The punctuation of English, marked with occasional rationality, is founded on arbitrariness and littered with oddities. Professor Crystal leads us through this minefield with characteristic wit and clarity. [DC on semi-colons is hilarious; also painfully funny on exclamation marks! Ed.]
The true story of a lethal spy triangle with three men at its centre – a brilliant, ruthless, British secret agent called Roger Landes; the Gestapo counter-espionage officer Friedrich Dohse, who was charged with finding him; and French Resistance leader André Grandclément, who was responsible for the most controversial betrayal that took place in wartime France. From 1942 until 1944 these three enemies were drawn into a lethal dance in which comrades, Allied agents and downed pilots were sold to the Germans as casually as crates of wine. Chaired by Sarfraz Manzoor.
The poet and Iraq veteran Kevin Powers has composed an unforgettable account of friendship and loss. It vividly captures the desperation and brutality of war, and its terrible after-effects. But it is also a story of love, of great courage, and of extraordinary human survival.
The producers of the cult noir film thriller are joined by photographer David Wilson to talk about the silent character in the hit TV show: the landscapes of Ceredigion. Wilson has captured these landscapes for the new book Hinterland Landscapes and the panel will reflect on what the settings have brought to the show, and the impact the show has had on this quiet part of Wales. Chaired by Jon Gower.
Drawing on his work over the past 40 years, the historian considers the context of contemporary Europe’s political upheavals, its challenges and its opportunities. Schama’s books include Citizens: A Chronicle of the French Revolution, A History of Britain, The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age, Landscape and Memory and The Story of the Jews.
How maps both relate and realign our history. His compelling narratives range from the quest to create the perfect globe to the challenges of mapping Africa and Antarctica, from spellbinding treasure maps to the naming of America, from Ordnance Survey to the mapping of Monopoly. Chaired by Jasper Rees.