Lorenzo Silva, creator of one of the most successful thriller novel sagas in Spain, featuring the civil guards Bevilacqua and Chamorro, speaks about all his literary work with the journalist Antonio San José.
Co-organised with Fundación Lara and with the collaboration of Fundación Caja Segovia.
It’s now ten years since the invasion of Iraq, and the UK Armed Forces have been fully engaged in a decade of war. What has been the mental health impact? If you listen to many media accounts you might conclude that nearly everyone who has served in Iraq or Afghanistan ends up in a psychiatric clinic, on the streets or in prison. But what are the facts? What do we know about the actual impact of deployment now, and what can we expect in the future?
How do professionals across all sectors develop the survival skills for a resilient future? As part of the Landmarc 100 Innovations Scheme, this is the third in a series of open invitation workshops, conversations and presentations designed to inspire applicants, tackle the big issues of sustainability, and take the great ideas you’ve jotted on the back of beer mats or napkins and make them real.
All over the world, Shakespeare’s plays find an audience, but often hidden within productions are thought-provoking, often controversial themes, about corruption, overthrowing power or teenage love. These areas of debate might rarely get staged, were it not for the cloak of Shakespeare’s ‘respectability’. This session discusses how Shakespeare slips by the censors, both historically and today. Simon Callow is an actor and writer. David Aaronovitch is a journalist who writers for The Times. Rachel Jolley is the editor of Index on Censorship. Alexa Huang teaches at the George Washington University in Washington, D.C
A conversation with the artist whose sculpture and installation touches on the fragility of human experience and is rich with visual and literary allusions. Projects which have included blowing up a shed, steamrolling musical instruments and sending meteorites back into space have captured the public imagination since she first came to prominence in the 1990s.
For centuries the ancient Greeks experimented with ways of representing the human body, both as an object of beauty and a bearer of meaning. The remarkable works of art in the British Museum’s blockbuster exhibition range from the abstract simplicity of prehistoric figurines to breathtaking realism in the age of Alexander the Great. The exhibition’s curator introduces the images and sculptures, with co-curator Celeste Farge.