The prolific and inspiring creator of game-changing books, comics, films and songs talks about his work. His latest book is Trigger Warning: Short Fictions and Disturbances.
This year’s library lecture is given by the illustrator and writer, whose long collaboration with Roald Dahl and his own work, which includes Clown, Zagazoo, Mrs Armitage, Mister Magnolia and his recent study Beyond The Page, have confirmed him as one of Britain’s greatest artists.
An exploration of the lives of the ordinary people of Pompeii and Herculaneum, the two cities on the Bay of Naples that were buried by the catastrophic volcanic eruption of Mount Vesuvius in AD 79. The plaster-cast bodies of the victims are the most vivid and shocking reminders of the horrific event that made Pompeii famous, but who were these men, women and children so cruelly frozen in time?
A conversation about religion and imagery with the former Archbishop and Master of Magdalene College, Cambridge, and the Director of the British Museum, author of A History of the World in 100 Objects and Shakespeare’s Restless World.
Celebrating 20 years of Cath Kidston Ltd, one of Britain’s most admired designers and businesswomen tells her story of the highs, lows and learnings that saw the company grow to become one of the country’s bestselling brands.
The astrophysicist, Queen guitarist and songwriter presents the astonishing results of his collaboration with Denis Pellerin and Paula Fleming with a sensational 3D screening of the C19th French visionary dioramas depicting life in a strange parallel universe called Enfer – Hell.
Tracey Emin’s art is one of disclosure, using her life events as inspiration for works ranging from painting, drawing, video and installation, to photography, needlework and sculpture. Emin reveals her hopes, humiliations, failures and successes in candid and, at times, excoriating work that is frequently both tragic and humorous.
Emin’s work has an immediacy and often sexually provocative attitude that firmly locates her oeuvre within the tradition of feminist discourse. By re-appropriating conventional handicraft techniques – or ‘women’s work’ – for radical intentions, Emin’s work resonates with the feminist tenets of the ‘personal as political’. In Everyone I’ve Ever Slept With, Emin used the process of appliqué to inscribe the names of lovers, friends and family within a small tent, into which the viewer had to crawl, becoming both voyeur and confidante. Her interest in the work of Edvard Munch and Egon Schiele particularly inform Emin’s paintings, monoprints and drawings, which explore complex personal states and ideas of self-representation through manifestly expressionist styles and themes.
Tracey Emin was born in London in 1963, and studied at Maidstone College of Art and the Royal College of Art, London. She has exhibited extensively internationally including solo and group exhibitions in Holland, Germany, Japan, Australia and America. In 2007 Emin represented Britain at the 52nd Venice Biennale, becoming the second female artist ever to do so. That same year, Emin was made a Royal Academician and was awarded an Honorary Doctorate from the Royal College of Art, a Doctor of Letters from the University of Kent and a Doctor of Philosophy from London Metropolitan University. In 2011 she became the Royal Academy’s Professor of Drawing and in 2012, Queen Elizabeth II appointed her Commander of the Most Excellent Order of the British Empire for her contributions to the visual arts.
She talks to the editor of GQ magazine.
‘The supreme tragedy is when theory outstrips performance’ – Leonardo da Vinci. Does contemporary art celebrate concept without skill? What is the value of a Fine Art degree? The Welsh Academy of Art presents a debate on the state of contemporary art and art education.
Codex Sinaiticus, copied in the middle of the C4th, is both the oldest surviving Christian Bible and one of the first to be made. Parker describes this beautiful and remarkable manuscript, discussing the religious significance of the technological revolution from which it emerged and suggests parallels with other momentous happenings in the history of the book, which have shaped belief.
The £189m Library of Birmingham opens in September this year, and will be the largest public library in Europe. It will provide a showcase for the city’s internationally important collections of archives, photography and rare books, a gallery space, a new flexible studio theatre, an outdoor amphitheatre and two garden terraces. The Project Director, architect and the Deputy Leader of Birmingham City Council will discuss bringing this ambitious project to fruition.