A celebration of the enduring tales and myths of Northern and Mediterranean Europe that ask, brutally and beautifully – what it means to be human. Gaiman’s newly published Norse Mythology reaches back to the source stories that have inspired Tolkien, the Marvel comics and many others. His gods are irascible, visceral, playful, and passionate. The tales carry us from the beginning of everything, to Odin, Thor, Loki and Freya through to Ragnarok and the twilight of the gods. Fry is reimagining versions of the Greek myths with their contrary Olympian gods, tragic human heroes and ruinous family curses.
The actor and writer tells stories from his two books Mythos: The Greek Myths Retold and Heroes: Mortals and Monsters, Quests and Adventures.
The oracle and sanctuary of the Greek god Apollo at Delphi were known as the omphalos – the centre or navel – of the ancient world for more than a thousand years. Individuals, city leaders and kings came from all over the Mediterranean and beyond to consult Delphi’s oracular priestess; to set up monuments to the gods in gold, ivory, bronze, marble and stone; and to take part in athletic and musical competitions.
The Battle of Plataea in 479 BCE is one of world history’s unjustly neglected events. It decisively ended the threat of a Persian conquest of Greece. For the Spartans, the driving force behind the Greek victory, the battle was sweet vengeance for their defeat at Thermopylae the year before. Cartledge masterfully exposes the Athenian/Spartan rivalry that ‘rewrote the history books’.
The poet introduces readings from his new play, which premières at the Manchester Royal Exchange in May. He is joined by the production’s director, his Helen of Troy and his Patroclus. ‘The Iliad is tense and intriguing, with moments of great tragedy and breathtaking humility. Everything we have come to expect of the great myths.’
A classicist and a neuroscientist explore the Ancient Greek words Liberty, Comedy, Charisma, Xenia, Wisdom and Peace and travel both forwards and backwards in time, investigating how these ideas have been moulded by history and have made an impact on history and the human experience. Hughes is the author of Helen of Troy – Goddess, Whore and The Hemlock Cup. Critchlow is named as a British Council's Top 100 UK Scientist for her work in communication.
The classicist introduces his translation of the first work of history, a work that tells us much of what we know about the ancient world. Herodotus was an endlessly curious man, and gathered information about the world around him from as many people and places as he could investigate. Whether it was the pyramids of Egypt, the cannabis habit of the Scythians, the flora and fauna of Arabia or the table dancing of the Athenian aristocracy, he was fascinated by them all. His accounts of the great battles of Marathon and Thermopylae, of Salamis and Plataea, retain to this day a matchless epic quality.
Aristotle was an extraordinary thinker, perhaps the greatest in history. Yet he was preoccupied by an ordinary question: how to be happy. His deepest belief was that we can all be happy in a meaningful, sustained way – and he led by example. Life deals the same challenges in ancient Greece or the modern world. Aristotle’s way is not to apply rules, it’s about engaging with the texture of existence, and striding purposefully towards a life well lived. Chaired by Charlotte Higgins.
We celebrate the republication of Renault’s fabulous Greek historical novels – The Bull from the Sea, The King Must Die, Fire From Heaven, Funeral Games, Lion in the Gateway and The Persian Boy. Chaired by Stephanie Merritt.
The novelist launches his new book, a re-telling of the classic tales of the House of Atreus: the stories of Agamemnon and Iphigenia, of Clytemnestra, Orestes and Electra. It’s a masterpiece.
For centuries the ancient Greeks experimented with ways of representing the human body, both as an object of beauty and a bearer of meaning. The remarkable works of art in the British Museum’s blockbuster exhibition range from the abstract simplicity of prehistoric figurines to breathtaking realism in the age of Alexander the Great. The exhibition’s curator introduces the images and sculptures, with co-curator Celeste Farge.
The historian tells the story of the three-in-one great cities of Byzantium, Constantinople and Istanbul, which has long been the gateway between East and West. Archaeologists have measured 42 layers of human inhabitation here on the Bosphorus over the past 6,000 years. It has been the capital of the Roman, Byzantine, Latin and Ottoman empires and, for many years, was known simply as The City.
The new Director of the V&A explores the role of culture and curation in a world turning on a new axis, where intelligence is artificial and some pots are still priceless; where a common wealth of resources and makers can fashion global treasures.
Rome was first ruled by kings, then became a republic. But in the end, after conquering the world, the republic collapsed. So terrible were the civil wars that the Roman people finally came to welcome the rule of an autocrat who could give them peace. Augustus, their new master, called himself “the divinely favoured one”. The lurid glamour of the dynasty founded by Augustus has never faded. No other family can compare for sheer unsettling fascination with its gallery of leading characters. Tiberius, the great general who ended up a bitter recluse, notorious for his perversions; Caligula, the master of cruelty and humiliation who rode his chariot across the sea; Agrippina, mother of Nero, manoeuvring to bring to power the son who would end up having her murdered; Nero himself, racing in the Olympics, marrying a eunuch, and building a pleasure palace over the fire-gutted centre of his capital.
How did the human mind – and the uniquely human ability to devise and transmit culture – evolve from its roots in animal behaviour? The truly unique characteristics of our species – such as our intelligence, language, teaching, and co-operation – are not adaptive responses to predators, disease or other external conditions. Rather, humans are creatures of their own making. The evolutionary biologist traces our rise from scavenger apes in pre-history to modern humans able to design iPhones, dance the tango and send astronauts into space.
In the age of Charlemagne, Rome gained a prominent position in the cultural memory of the Frankish elites. This city was not just associated with the glory of classical and late antique empire, but above all with an authentic Christianity represented by the apostles and the martyrs. North of the Alps, rulers and aristocrats created a virtual Rome by importing relics as well as liturgical practices that were thought of as typically Roman. Chaired by Claire Armitstead.
The first great adventure story in the Western canon, The Odyssey, is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world. The vivid new translation, the first by a woman, matches the number of lines in the Greek original, striding at Homer's sprightly pace. Wilson employs elemental, resonant language and a five-beat line to produce a translation with an enchanting ‘rhythm and rumble’. She recaptures what is epic about this wellspring of world literature. This inaugural translation lecture is given in the name of the pre-eminent translator, whose peerless work rendering French, Danish and German literature into English ranges from Asterix to Austerlitz. Chaired by Charlotte Higgins.
War, glory, despair and mourning: for 2,700 years Homer has gripped listeners and readers with the stories of Achilles’ anger and Hector’s death, and of Odysseus’ decade-long journey home from Troy. Verity discusses his vigorous and elegant new translations with Peter Florence.