A celebration of the enduring tales and myths of Northern and Mediterranean Europe that ask, brutally and beautifully – what it means to be human. Gaiman’s newly published Norse Mythology reaches back to the source stories that have inspired Tolkien, the Marvel comics and many others. His gods are irascible, visceral, playful, and passionate. The tales carry us from the beginning of everything, to Odin, Thor, Loki and Freya through to Ragnarok and the twilight of the gods. Fry is reimagining versions of the Greek myths with their contrary Olympian gods, tragic human heroes and ruinous family curses.
‘There’s a journey we must go on, and no more delay…’ The extraordinary new novel from the author of Never Let Me Go and Booker Prize-winning The Remains of the Day.
The Romans have long since departed, and Britain is steadily declining into ruin. But at least the wars that once ravaged the country have ceased.
The Buried Giant begins as a couple, Axl and Beatrice, set off across a troubled land of mist and rain in the hope of finding a son they have not seen for years. They expect to face many hazards – some strange and other-worldly – but they cannot yet foresee how their journey will reveal to them dark and forgotten corners of their love for one another.
Sometimes savage, often intensely moving, Kazuo Ishiguro’s first novel in a decade is about lost memories, love, revenge and war.
The prolific and inspiring creator of game-changing books, comics, films and songs talks about his work. His latest book is Trigger Warning: Short Fictions and Disturbances.
A celebration of reading and books from the comedian, broadcaster and writer whose books include the novels Hitler’s Canary, Flying Under Bridges and Valentine Grey, children’s stories The Littlest Viking and The Troublesome Tooth Fairy, non-fiction best-sellers Peas & Queues and Girls Are Best and the play Bully Boy. Introduced by Sue Wilkinson.
The adventurer launches his thriller, in which his hero is sent deep into the Amazon jungle on the hunt for a WW2 secret. Grylls’ recent non-fiction includes True Grit, Extreme Food and Your Life – Train For It. He talks to Clemency Burton-Hill.
18 July 1898 and the world-renowned novelist Emile Zola is on the run. His crime? Intervening in the Dreyfus case and taking on the highest powers in France with his open letter J’accuse. Forced to leave Paris with nothing but the clothes he is standing in and a nightshirt wrapped in newspaper, Zola flees to England with no idea when he will return. This is the little-known story of his time in exile. Rosen offers an intriguing insight into the mind, the loves, the politics and the work of the great writer.
The whimsical world of undertaker Wilfred Price springs to glorious life in the second chapter of Wendy Jones’ enchanting Welsh odyssey. Entertaining popular fiction at its best. In conversation with Andy Fryers.
The RSC’s Christmas production is JM Barrie’s classic tale of the boy who never grows up, adapted in a spectacular new version by Ella Hickson. Here Ella talks about how she approached the story, what new twists she has brought to it and some of the things that happen to Wendy during the story.
Set in 1960s Ireland, Tóibín’s new novel Nora Webster introduces one of the most complex and captivating heroines of contemporary fiction. He discusses the book and his new study On Elizabeth Bishop. He creates a vivid picture of the American poet while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own.
Photo: Brigitte Lacombe
We are delighted to launch the next instalment in the ‘three great tales’, which began with The Children Of Hurin, painstakingly pieced together by the author’s son, Christopher. Tolkien began work on the story in early 1917 when he returned from the Somme. Set in Middle Earth, at the heart of the tale is a love story between a mortal man and an immortal elf, seen as the precursor to the Aragorn/Arwen story in the Lord of the Rings. The illustrator Alan Lee has created some iconic Middle-Earth imagery, and worked on the Peter Jackson films, for which he won an Oscar.
A conversation about how their Quaker faith has informed the life and work of three writers: the actor Sheila Hancock’s books include the memoir Just Me and the novel Miss Carter’s War; award-winning poet Philip Gross’s collections include The Water Table, Deep Field and the forthcoming A Bright Acoustic; Tracy Chevalier’s novels include Girl With a Pearl Earring, At the Edge of the Orchard and now New Boy.
"Fairy tales since the beginning of recorded time, and perhaps earlier, have been a means to conquer the terrors of humanity through metaphor."
This is one of many challenging and thought-provoking observations made over a long career by Jack Zipes, one of the most eminent scholars of folklore, fairy tales and children’s literature, whose 80th birthday was celebrated last year. It identifies not only one of the key characteristics of ‘wonder tales’ but also proposes a much wider audience and more important function for such tales than is often recognised.
Joining Jack to discuss the past, present and future of the ‘wonder tale’ is Philip Pullman, one of the foremost writers of speculative fiction and author of Clockwork, the His Dark Materials trilogy, La Belle Sauvage and Daemon Voices; and Marina Warner, novelist, short story writer, mythographer, scholar and author of Stranger Magic, Fly Away Home, Once Upon A Time and Forms of Enchantment. Chaired by Hamish Fyfe.
Follett’s third novel in the Kingsbridge Series, A Column of Fire, went straight to the No.1 position on bestseller lists in the USA, Spain, Italy, Germany and France. In A Column of Fire, voices of tolerance struggle to be heard under authoritarian rule as England faces challenges from Europe. The social and political concerns of the first Elizabethan era resonate loudly in the second. Following the screening of a short film, Follett discusses with the audience how the themes of his Tudor-time novel echo in today’s political theatre.
Inspired by the traditional wonder tales of the East, Rushdie’s new novel is a masterpiece about the age-old conflicts that remain in today’s world. Two Years, Eight Months and Twenty-Eight Nights is satirical and bawdy, full of cunning and folly, rivalries and betrayals, kismet and karma, rapture and redemption.
The brilliant new novel from the Orange Prize-winning author of We Need to Talk about Kevin centres on three generations of the Mandible family as an extreme fiscal crisis hits a near-future America. This is a frightening, fascinating, scabrously funny glimpse into the decline that may await the United States all too soon.
The novelist discusses his essay collection Dæmon Voices and his novel La Belle Sauvage with Daniel Hahn.
How and why do we survive, and what makes us unique? A conversation between a novelist and a scientist exploring the worlds they inhabit in Doctorow’s superb new speculative fiction Walkaway and Rutherford’s A Brief History of Everyone who Ever Lived: The Stories in Our Genes.
Through the 25 stories in Swift’s most recent anthology, we are steered effortlessly from the Civil War to the present day, from world-shaking events to the secret dramas lived out in rooms, workplaces, homes. With his remarkable sense of place, he charts an intimate human geography and, in doing so, he moves us profoundly, but with a constant eye for comedy. He reads from the collection and discusses his work with Peter Florence.
With an absent wife and a daughter going off the rails, wealthy art collector and philanthropist Simon Strulovitch is in need of someone to talk to. So when he meets Shylock at a cemetery in Cheshire’s Golden Triangle, he invites him back to his house. It’s the beginning of a remarkable friendship. The Man Booker winner’s version of The Merchant of Venice bends time to its own advantage as it asks what it means to be a father, a Jew and a merciful human being in the modern world.
The novelist talks about his writing and reading, and the translation of his books into film. The movie of On Chesil Beach is released on 18 May. Towards the end of this event McEwan will introduce the winner of the 2018 Deborah Rogers Foundation Writers’ Award, Deepa Anappara. Her winning entry is a work of fiction called Djinn Patrol on the Purple Line.
What does it mean to live happily ever after? At dinner parties and over coffee, Rabih and Kirsten’s friends always ask them the same question: how did you meet? The answer comes easily – it’s a happy story, one they both love to tell. But there is a second part to this story, the answer to a question their friends never ask: what happened next? From the first thrill of lust, to the joys and fears of real commitment, and to the deep problems that surface slowly over two shared lifetimes, this is the story of a marriage. It is about modern relationships and how to survive them. Playful, wise and profoundly moving, the essayist and philosopher introduces his first novel in 20 years.
The screenwriter and creator of the hit gangster drama talks about the Selby family, tribal war, and the crime-world of post-war Birmingham. Knight is screenwriter of Dirty Pretty Things and Locke. Introduced by Caryn Mandabach.
We will also be screening all six episodes of Series 2, starring Cillian Murphy, Sam Neill, Helen McCrory and Tom Hardy, from 1pm at Richard Booths Bookshop Cinema in Hay.
An entertainment: a constellation of writers, artists and photographers of the Welsh Marches celebrate the first issue of The Keep, Hay’s new literary and arts magazine, with an evening of readings, stories and pictures, under the editorial baton of Iain Finlayson.
With Owen Sheers, Ben Rawlence, Nina Lyon, Jasper Fforde, Soma Ghosh, Oliver Balch, Tom Bullough, Dix and Marsha Arnold.
The chair of judges interviews the winner of the £60,000 2015 Prize, who was announced on 19 May in London.
Born in 1954, László Krasznahorkai gained considerable recognition in 1985 when he published Satantango, which he later adapted for the cinema in collaboration with the filmmaker Bela Tarr. In 1993, he received the German Bestenliste Prize for the best literary work of the year for The Melancholy of Resistance and has since been honoured with numerous literary prizes, amongst them the highest award of the Hungarian state, the Kossuth Prize.
Krasznahorkai and his translator George Szirtes were longlisted for the 2013 Independent Foreign Fiction Prize for Satantango and Krasznahorkai has won the Best Translated Book Award in the US two years in a row, in 2013 for Satantango and in 2014 for Seiobo There Below. Seiobo There Below was published in the UK on 7 May by Tuskar Rock Press.
The judging panel for the 2015 Man Booker International Prize was chaired by celebrated writer and academic Marina Warner. The panel also comprised Wen-chin Ouyang, Professor of Arabic and Comparative Literature at SOAS, University of London; acclaimed author Nadeem Aslam; novelist and critic Elleke Boehmer, who is currently Professor of World Literature in English at Oxford University; and Edwin Frank, editorial director of the New York Review Books Classics.
The judges said of Krasznahorkai’s work: ‘In László Krasznahorkai’s The Melancholy of Resistance, a sinister circus has put a massive taxidermic specimen, a whole whale, Leviathan itself, on display in a country town. Violence soon erupts, and the book as a whole could be described as a vision, satirical and prophetic, of the dark historical province that goes by the name of Western Civilisation. Here, however, as throughout Krasznahorkai’s work, what strikes the reader above all are the extraordinary sentences, sentences of incredible length that go to incredible lengths, their tone switching from solemn to madcap to quizzical to desolate as they go their wayward way; epic sentences that, like a lint roll, pick up all sorts of odd and unexpected things as they accumulate inexorably into paragraphs that are as monumental as they are scabrous and musical.’
Announcing the winner, Marina Warner commented: ‘Laszlo Krasznahorkai is a visionary writer of extraordinary intensity and vocal range who captures the texture of present day existence in scenes that are terrifying, strange, appallingly comic, and often shatteringly beautiful. The Melancholy of Resistance, Satantango and Seiobo There Below are magnificent works of deep imagination and complex passions, in which the human comedy verges painfully onto transcendence. Krasznahorkai, who writes in Hungarian, has been superbly served by his translators, George Szirtes and Ottilie Mulzet.’