The full programme will be available in March.
For 600 years, exquisitely produced volumes stored everything we know – from Gutenberg’s bibles to Newton’s Principia and Austen’s Persuasion. Purcell tells a rollicking tale of discoveries and bibliophile treasures from some of Britain’s greatest private library collections that are now saved for the nation. Purcell was formerly Libraries Curator for the National Trust and is now Deputy Director of Research Collections at Cambridge University Library.
What is this for? And how do I clean it? The National Trust’s Director of Curatorship and his team of expert conservator colleagues display and demonstrate some of the most wonderful and eccentric household items from their collections. They’ll offer advice on anything you’d like to bring along.
A celebration of the exquisite craftsmanship and elegance of silverware and porcelain in a tour of social history with National Trust experts James Rothwell, author of Silver for Entertaining and Patricia Ferguson author of Ceramics: 400 Years of British Collecting in 100 Masterpieces Chaired by Simon Murray.
Thomas Telford invented the modern road. A stonemason turned architect turned engineer, he built churches, harbours, canals, docks, the famously vertiginous Pontcysyllte aqueduct and the exquisite Menai Bridge in Wales. He created the backbone of our national road network. His constructions were the most stupendous in Europe for a thousand years, and astonishingly, almost everything he ever built remains in use today.
Cathedrals are custodians of culture and of the rituals of civic life. They offer welfare and relieve suffering. They uplift spirits with their beauty. In a real sense they are still what they were when first built a millennium ago, a glimpse of the sublime. Illustrated lecture.
In Dubai, a luxury apartment block is built in the shape of a giant iPod. In China, President Xi Jinping denounces the trend of constructing ‘bizarre’ new buildings in wacky shapes and colours. In Cincinnati, celebrity architect Zaha Hadid is paid millions to design a single ‘iconic’ structure – with the hope of single-handedly transforming the region’s ailing fortunes. These incidents are all part of the same story: the rise of the age of spectacle. Chaired by Simon Jenkins.