Robert Hughes’ landmark BBC TV series and book The Shock of the New, more than 40 years old, became a seminal text for art history students and modern art enthusiasts. But a lot has happened in the intervening years. Does its assessment of modern art stand up to scrutiny today? Or has the moment come to question some of the assumptions that underpin Hughes’ argument? Will Gompertz, the Barbican Centre’s artistic director and a Hay Festival 2023 Thinker in Residence, discusses this famous text with Gus Casely-Hayford, cultural historian and director of V&A East, Veronica Ryan, winner of the Turner Prize 2022, and Shanay Jhaveri, head of visual arts at the Barbican.
Cultural critic Charlotte Williams talks to Hanan Issa (Mud is Memory), Angela Hui (Takeaway) and Darren Chetty (Welsh (Plural)) about writing Wales, Welsh identity, and creative and cultural representation.. Williams is a Welsh-Guyanese author and academic. As Hay Thinker in Residence she is committed to exploring the ways in which Wales and its multivarious Welsh identities are represented at the Festival.