2017 Earlybird tickets
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Event 8 • • Venue: Tata Tent
Letters Live has rapidly established itself as a wonderfully dynamic and exciting new format for presenting memorable letters to a live audience and each event celebrates in an unforgettable way the joy, pain, wisdom and humour that so often hallmarks this most intimate of literary forms. Letters Live is inspired by Shaun Usher’s Letters of Note anthologies and Simon Garfield’s To the Letter. This event will feature a different cast and programme of letters to Letters Live 1 on 27 May.
Deep Thinking: Where Machine Intelligence Ends and Human Creativity Begins
Event 2 • • Venue: Tata Tent
20 years ago, in May 1997, the world watched as Garry Kasparov, the greatest chess player in the world, was defeated for the first time by the IBM supercomputer Deep Blue. He talks to the Hay Festival President about a watershed moment in the history of technology: machine intelligence had arrived at the point where it could best human intellect.
It wasn’t a coincidence that Kasparov became the symbol of man’s fight against the machines. Chess has long been the fulcrum in development of machine intelligence; the hoax automaton ‘The Turk’ in the 18th century and Alan Turing’s first chess program in 1952 were two early examples of the quest for machines to think like humans a talent we measured by their ability to beat their creators at chess. As the pre-eminent chessmaster of the ’80s and ’90s, it was Kasparov’s blessing and his curse to play against each generation’s strongest computer champions, contributing to their development and advancing the field.
Like all passionate competitors, Kasparov has taken his defeat and learned from it. He has devoted much energy to devising ways in which humans can partner with machines in order to produce results better than either can achieve alone. During the 20 years since playing Deep Blue, he has played both with and against machines, learning a great deal about our vital relationship with our most remarkable creations. Ultimately, he has become convinced that by embracing the competition between human and machine intelligence, we can spend less time worrying about being replaced and more thinking of new challenges to conquer.
Kasparov tells his side of the story of Deep Blue for the first time – what it was like to strategize against an implacable, untiring opponent – the mistakes he made and the reasons the odds were against him. And he tells his story of AI more generally, and how he has evolved to embrace it, taking part in an urgent debate with philosophers worried about human values, programmers creating self-learning neural networks, and engineers of cutting-edge robotics.
His previous book was Winter is Coming: Why Vladimir Putin and the Enemies of the Free World Must Be Stopped.
Talking About Art
Event 3 • • Venue: Tata Tent
Tracey Emin’s art is one of disclosure, using her life events as inspiration for works ranging from painting, drawing, video and installation, to photography, needlework and sculpture. Emin reveals her hopes, humiliations, failures and successes in candid and, at times, excoriating work that is frequently both tragic and humorous.
Emin’s work has an immediacy and often sexually provocative attitude that firmly locates her oeuvre within the tradition of feminist discourse. By re-appropriating conventional handicraft techniques – or ‘women’s work’ – for radical intentions, Emin’s work resonates with the feminist tenets of the ‘personal as political’. In Everyone I’ve Ever Slept With, Emin used the process of appliqué to inscribe the names of lovers, friends and family within a small tent, into which the viewer had to crawl, becoming both voyeur and confidante. Her interest in the work of Edvard Munch and Egon Schiele particularly inform Emin’s paintings, monoprints and drawings, which explore complex personal states and ideas of self-representation through manifestly expressionist styles and themes.
Tracey Emin was born in London in 1963, and studied at Maidstone College of Art and the Royal College of Art, London. She has exhibited extensively internationally including solo and group exhibitions in Holland, Germany, Japan, Australia and America. In 2007 Emin represented Britain at the 52nd Venice Biennale, becoming the second female artist ever to do so. That same year, Emin was made a Royal Academician and was awarded an Honorary Doctorate from the Royal College of Art, a Doctor of Letters from the University of Kent and a Doctor of Philosophy from London Metropolitan University. In 2011 she became the Royal Academy’s Professor of Drawing and in 2012, Queen Elizabeth II appointed her Commander of the Most Excellent Order of the British Empire for her contributions to the visual arts.
She talks to the editor of GQ magazine.