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Charles Avery

A School of Dolphins

Hay Festival 2009, 
The dolphin’s presence and meaning in Western Art from Antiquity (where it was associated with several gods), into the Middle Ages, Renaissance and Baroque (where it had Christian connotations, as well as playing a supporting role in fountains and furniture), and then on to the empires of Venice and Britain, ending in the 20th century with Matisse.