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* Shortlisted for the Women's Prize *
On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London. Neither parent knows that one of the children will not survive the week.
Hamnet is a novel inspired by the son of a famous playwright. It is a story of the bond between twins, and of a marriage pushed to the brink by grief. It is also the story of a kestrel and its mistress; a flea that boards a ship in Alexandria; and a glovemaker's son who flouts convention in pursuit of the woman he loves. Above all, it is a tender and unforgettable reimagining of a boy whose life has been all but forgotten, but whose name was given to one of the most celebrated plays ever written.
Maggie O'Farrell is the author of the memoir I Am, I Am, I Am, and eight novels: After You'd Gone, My Lover's Lover, The Distance Between Us, which won a Somerset Maugham Award, The Vanishing Act Of Esme Lennox, The Hand That First Held Mine, which won the 2010 Costa Novel Award, Instructions For A Heatwave, which was shortlisted for the 2013 Costa Novel Award, This Must Be The Place, which was shortlisted for the 2016 Costa Novel Award, and Hamnet.
A conversation about writing into an authoritarian world, finding ways of telling truths and making the case for Human Rights. Shafak is the author of the global bestseller 10 Minutes 38 Seconds in this Strange World. She writes in both Turkish and English. Sands is a lawyer, President of English PEN and the author of the Baillie Gifford Prize-winning East West Street. Introduced by Daniel Gorman, director of English PEN.
This film was made to be shown only once, on Monday 25 May at 6.30pm. It will not be held on Hayplayer or repeated on crowdcast.
A meditation on continuance, by Ali Smith, filmwork by Sarah Wood.
Ali Smith was born in Inverness in 1962. She is the author of Spring, Winter, Autumn, Public library and other stories, How to be both, Shire, Artful, There but for the, The first person and other stories, Girl Meets Boy, The Accidental, The whole story and other stories, Hotel World, Other stories and other stories, Like and Free Love. Hotel World was shortlisted for the Booker Prize and the Orange Prize. The Accidental was shortlisted for the Man Booker Prize and the Orange Prize. How to be both won the Bailey's Prize, the Goldsmiths Prize and the Costa Novel of the Year Award, and was shortlisted for the Man Booker Prize. Autumn was shortlisted for the Man Booker Prize 2017 and Winter was shortlisted for the Orwell Prize 2018.
Sarah Wood works with the found object, particularly the still and moving image, as an act of reclamation and re-interrogation. She works mainly with the documentary image to interrogate the relationship between the narrating of history and individual memory. Recently she's been focussing on the meaning of the archive, in particular the politics of memory, asking not only why some objects are preserved while others are ignored but also why preservation is made at certain historical moments. Wood also works with artists’ film as a curator. With Selina Robertson she co-founded Club des Femmes, a positive female space for the re-examination of ideas through art.
The new novel from the author of The Improbability of Love, winner of the Bollinger Everyman Wodehouse Prize for comic fiction, is a mischievous satire of English money and class. The seat of the Trelawney family for over 800 years, Trelawney Castle was once the jewel of the Cornish coast. Each successive Earl spent with abandon, turning the house and grounds into a sprawling, extravagant palimpsest of wings, turrets and follies. But recent generations have been better at spending than making money. Now living in isolated penury, unable to communicate with each other or the rest of the world, the family are running out of options. Three unexpected events will hasten their demise: the sudden appearance of a new relation, an illegitimate, headstrong, beautiful girl; an unscrupulous American hedge fund manager determined to exact revenge; and the crash of 2008. A love story and social satire set in the parallel and seemingly unconnected worlds of the British aristocracy and high finance, House of Trelawney is also the story of lost and found friendships between three women. One of them will die; another will discover her vocation; and the third will find love.
We celebrate four of the contributors to the Hay Festival Europa 28 project, part of the Rijeka European Capital of Culture 2020. With so many flare-ups of nationalism and isolationism in recent years, there is a sense that Europe needs to be fixed, or, at the very least, profoundly reconfigured; whether it is to address the grievances of those feeling disenfranchised from it, or to improve social cohesion, or even continue to exist as a democratic transnational entity.
Bringing together 28 acclaimed women writers, artists, scientists and entrepreneurs from across Europe, this powerful and timely anthology looks at an ever-changing Europe from a variety of different perspectives and offers hope and insight into how we might begin to rebuild.
Kassabova is Bulgarian by birth and lives in Scotland. She is the author of Street Without a Name, Border and To The Lake: A Balkan Journey of War and Peace. Muscat is one of Malta’s leading investigative journalists. She contributed to and co-edited the book, Invicta: The Life and Work of Daphne Caruana Galizia. Bán is a Hungarian writer, critic and scholar. Her recent works include the novel, Night School: A Reader for Grownups, and The Summer of Our Discontent. Chaired by Hughes, a leading literary translator and the editor of the Europa 28 anthology.
A conversation with two extraordinarily gifted and compelling novelists.
Persaud’s Love After Love introduces: Irrepressible Betty Ramdin, her shy son Solo and their marvellous lodger, Mr Chetan, who form an unconventional household, happy in their differences, as they build a home together. Home: the place where your navel string is buried, keeping these three safe from an increasingly dangerous world. Happy and loving they are, until the night when a glass of rum, a heart to heart and a terrible truth explodes the family unit, driving them apart.
In Burton’s The Confession: One winter's afternoon on Hampstead Heath in 1980, Elise Morceau meets Constance Holden and quickly falls under her spell. Connie is bold and alluring, a successful writer whose novel is being turned into a major Hollywood film. Elise follows Connie to LA, a city of strange dreams and swimming pools and late-night gatherings of glamorous people. But whilst Connie thrives on the heat and electricity of this new world where everyone is reaching for the stars and no one is telling the truth, Elise finds herself floundering. When she overhears a conversation at a party that turns everything on its head, Elise makes an impulsive decision that will change her life forever..
From the million-copy bestselling author of The Miniaturist and The Muse, The Confession is a luminous, powerful and deeply moving novel about secrets and storytelling, motherhood and friendship, and how we lose and find ourselves.
Chaired by Lennie Goodings, author of A Bite of the Apple: A Life with Books, Writers at Virago.
We celebrate three more contributors to the Hay Festival Europa 28 project, part of the Rijeka European Capital of Culture 2020.
Moroccan-born Slimani won the Prix Goncourt for her novel Lullaby, and is the author of Adèle and Sex and Lies. Dwan is an Irish actor whose Beckett performances have toured the world. She has recently collaborated with Colm Toibín and Margaret Atwood. Cottam is a social activist and the author of Radical Help: How We Can Remake the Relationships Between Us & Revolutionise the Welfare State. They talk to Sophie Hughes.
A festival special preview of the new novel published later this year by the Booker-winning author of Paddy Clark Ha Ha Ha, and the Barrytown Trilogy.
One summer’s evening, two men meet up in a Dublin restaurant.
Old friends, now married and with grown-up children, their lives have taken seemingly similar paths. But Joe has a secret he has to tell Davy, and Davy, a grief he wants to keep from Joe. Both are not the men they used to be. Neither Davy nor Joe know what the night has in store, but as two pints turns to three, then five, and the men set out to revisit the haunts of their youth, the ghosts of Dublin entwine around them. Their first buoyant forays into adulthood, the pubs, the parties, broken hearts and bungled affairs, as well as the memories of what eventually drove them apart.
As the two friends try to reconcile their versions of the past over the course of one night, Love offers up a delightfully comic, yet moving portrait of the many forms love can take throughout our lives.
The British Library and Hay Festival named Chloe Aridjis and Daniel Saldaña París as recipients of the 2020 Eccles Centre & Hay Festival Writer’s Award, a highly prestigious annual prize of £20,000 for a current writing project exploring the Americas. Chloe Aridjis is a London-based Mexican novelist and writer. Her latest novel Sea Monsters was awarded the 2020 PEN/Faulkner Award for Fiction. Daniel Saldaña París is a Mexican author, poet, essayist and novelist, considered one of the most important in Mexican contemporary literature. In 2017, he was chosen as one of the authors of Hay Festival’s Bogotá39, a selection of the best Latin American writers under forty. Chloe and Daniel join translator Sophie Hugues to discuss their work and works-in-progress supported by the Eccles Centre & Hay Festival Writer’s Award.
The novelist discusses the final volume of her Thomas Cromwell trilogy. Both Wolf Hall and Bring Up The Bodies won the Booker Prize. Spoiler alert - please save this gig for when you've finished the book…
You can hear Hilary Mantel discuss Bring Up the Bodies at Hay 2012 on HayPlayer.
A special performance and Q&A with the novelist and guitarist celebrating A Theatre for Dreamers. 1960. The world is dancing on the edge of revolution, and nowhere more so than on the Greek island of Hydra, where a circle of poets, painters and musicians live tangled lives, ruled by the writers Charmian Clift and George Johnston, troubled king and queen of bohemia. Forming within this circle is a triangle: its points the magnetic, destructive writer Axel Jensen, his dazzling wife Marianne Ihlen, and a young Canadian poet named Leonard Cohen.
Into their midst arrives teenage Erica, with little more than a bundle of blank notebooks and her grief for her mother. Settling on the periphery of this circle, she watches, entranced and disquieted, as a paradise unravels.
Burning with the heat and light of Greece, A Theatre for Dreamers is a spellbinding novel about utopian dreams and innocence lost – and the wars waged between men and women on the battlegrounds of genius.
Brilliantly capturing the glamour of post-war America and the shabbiness of 1970s Dublin, Actress is an intensely moving, disturbing novel by Booker Prize-winner Anne Enright about mothers and daughters and the men in their lives. A scintillating examination of the corrosive nature of celebrity, it is also a sad and triumphant tale of freedom from bad love, and from the avid gaze of the crowd.