From settings as different as clandestine activities during the Chilean dictatorship or a dystopian Lima in ruins Mambo by Alejandra Moffat (Chile) and Criaturas virales by Dany Salvatierra (Peru) converge on a single idea: situating their work in hostile landscapes through which characters affected by silence and violence travel. From a girl who grows up among murmurs and secrets; to the inhabitants of Villa Diodati, creatures who survive drowning in poverty. In conversation with Jorge Malpartida.
