Ten authors contribute to an anthology of texts, Verdades compartidas ('Shared Truths'), about the Colombian peace process, delving into the testimonies, impact, and context of a unique historical moment, inspired by the Truth Commission's own report. This anthology presents an interpretation from the perspective of writers from different countries, aiming to unravel recent history through narratives, sharing with readers and prompting reflection. Simultaneously, it provides space for the diverse experiences of the protagonists, conveying different points of view, experiences, and solutions that collectively enable peace, memory, and societal learning to prevent conflicts like the Colombian one from happening again. Verdades compartidas is a project of the Hay Festival and the International Center for Transitional Justice, published by Planeta.
Fernanda Trías (Uruguay, 1976) is a writer, translator and lecturer in literary creation. She has published the novels Cuaderno para un solo ojo, La azotea, La ciudad invencible and Mugre rosa, and the short story collection No soñarás flores. She studied her Master’s in Creative Writing at the University of New York. Her books have been published in Bolivia, Chile, Colombia, Spain, France, Mexico and Uruguay, and will soon also be available in Argentina, Greece, the UK and the USA. Her work has been included in anthologies of new Latin American fiction and stories of hers have been translated into German, English, Hebrew, Italian, French and Portuguese. She received a UNESCO-Aschberg fellowship (France, 2004), the BankBoston Foundation Prize for National Culture (Uruguay, 2016) and the SEGIB-Eñe-Casa de Velázquez Prize for Mugre rosa (Spain, 2017). She currently lives in Bogota and is a lecturer and writer-in-residence at the University of the Andes.
(Nova Iguaçu, 1977) is a writer, screenwriter and Brazilian music. During her teens she played in a punk rock band and studied piano. As a screenwriter, he participated in the script for the short film O entregador de pizza (2001), and together with Mauro Santa Cecilia and Ricardo Petraglia, he co-wrote the theatrical monologue O rei dos escombros staged in 2003 by the Moacyr Chaves company. She published her first novel under the title O habitante das falhas subterrâneas in 2003. She is the author of the trilogy A saga dos brutos, started with the short novels Entre rinhas de cachorros e porcos abatidos and O trabalho sujo dos outros —published in a single volume— and which ended with the novel Carvão animal. Influenced by Dostoevsky, by the cinematographic work of Quentin Tarantino and Sergio Leone, and by pulp series and literature, among others, her works are marked by violence and the treatment of her characters, which often include eschatological elements.