Hay Festival Querétaro 2022 – Journalism

Welcome to the Hay Festival Querétaro 2023 programme. The festival will take place from 7 to 10 September. We will have 105 activities with 151 interantional guests from 20 countries, and with Hay Joven, Hay Festivalito, Hay Delegaciones and Talento Editorial events, as well as two activities in Cadereyta.

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Event HFJ5

Liliana Viola in conversation with Carmen Dolores Carrillo Juárez

The nun who would take no more

UAQ, Biblioteca Campus Centro Histórico - Dirección General de Bibliotecas
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In La hermana, the Argentinean journalist Liliana Viola reconstructs the story of Martha Pelloni, the nun who challenged the political authorities of Catamarca (Argentina) in the 1990s after the rape and murder of the young woman María Soledad Morales. A profile and a work of literary journalism that has won the 6th Anagrama Reporting/Giangiacomo Feltrinelli Foundation Award. In conversation with Carmen Dolores Carrillo Juarez.

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Liliana Viola in conversation with Carmen Dolores Carrillo Juárez

Event HFC13

Workshop with Tere Alcántara

Radio without borders

Albergue del CAMMI
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Tere Alcántara invites the children to become broadcasters for a day and discover a love of the radio. This workshop will be about the secrets of the medium, discovering the power of their voices —working on breathing, diction and intention—, as well as teamwork, as they design and record their own radio programme. From the creation of content to presenting it, they will become the creators of their first programme.

Ages 6 to 12
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Workshop with Tere Alcántara

Event 26

Carmen Aristegui and Miriam Ramírez in conversation with Daniel Pardo

Hay Festival Constellations: journalism

Teatro de la Ciudad
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Hay Festival Constellations creates a space for intergenerational dialogue within the Mexican cultural scene, in fields such as literature, film, music, science and architecture. Truth, ethics and the urge to tell us the facts are all a part of good journalism. Carmen Aristegui and Miriam Ramírez will dialogue about the current state and value of a profession that has gone from being seen as «the Fourth Estate», to being mistrusted and even vilified by certain discourses and some sectors of society.

LSM Mexican sign language interpretation available

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Carmen Aristegui and Miriam Ramírez in conversation with Daniel Pardo

Event 29

John Vaillant in conversation with Cristina Fuentes La Roche

Museo de la Ciudad (espacio escénico)
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John Vaillant (USA/Canada) won the Baillie Gifford Prize for Non-fiction for Fire Weather, a book about the terrible forest fire that burned Fort McMurray, the centre of the Canadian oil industry. In this brilliant work, Vaillant argues that it was not just a fire, but a warning that we need to prepare for an ever hotter and more inflammable world. In conversation with Cristina Fuentes La Roche.

Simultaneous interpretation from English to Spanish available

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John Vaillant in conversation with Cristina Fuentes La Roche

Event 47

Liliana Viola in conversation with Gina Jaramillo

Anagrama Reporting Prize

Museo de la Ciudad (sala 2)
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In La hermana, the Argentinean journalist Liliana Viola reconstructs the story of Martha Pelloni, the nun who challenged the political authorities of Catamarca (Argentina) in the 1990s after the rape and murder of the young woman María Soledad Morales. A profile and a work of literary journalism that has won the 6th Anagrama Reporting/Giangiacomo Feltrinelli Foundation Award.

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Liliana Viola in conversation with Gina Jaramillo

Event 49

Ricardo Raphael in conversation with Laura García

The Wallace case: a fabricated truth

Teatro de la Ciudad
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The story that all Mexico believed: the kidnapping of a child and the later media campaign of a mother seeking justice, which involved the highest spheres of power in the country. This was the Wallace case, when the victim became the perpetrator. In Fabricación, the journalist and writer Ricardo Raphael (Mexico) tells how a manufactured grief became a spectacle, and a manipulation of the reality, justice and the media. A true story that could have been a thriller and a systematic reminder of the impunity that haunts us.

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Ricardo Raphael in conversation with Laura García

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