The screenwriter and creator of the hit gangster drama talks about the Selby family, tribal war, and the crime-world of post-war Birmingham. Knight is screenwriter of Dirty Pretty Things and Locke. Introduced by Caryn Mandabach.
We will also be screening all six episodes of Series 2, starring Cillian Murphy, Sam Neill, Helen McCrory and Tom Hardy, from 1pm at Richard Booths Bookshop Cinema in Hay.
In a magical evening of storytelling, the playwright and poet performs his fabulous tales: ‘Indeed the world is two worlds – one for lovers, / Another for the loveless altogether…’
The inspiring and provocative writer and scholar talks about Juliet, Beatrice, Ophelia, Cleopatra, Ann Hathaway and the Dark Lady of the Sonnets with festival director Peter Florence.
We are thrilled to welcome the inspired and hilarious improv show in which Eric and a cast of comics act out a famous movie. They’ve done Die Hard, Pretty Woman, all the Harry Potters, and for tonight they want the Hay audience to choose the movie. Let us know what you’d like them to take on – we’ll go with the best nomination on our Facebook page.
Update 15.05.15 - Film Choice is Mary Poppins.
In November 1596 a woman signed a document which would nearly destroy the career of William Shakespeare… Who was the woman who played such an instrumental, yet little known, role in Shakespeare’s life? Never far from controversy when she was alive – she sparked numerous riots and indulged in acts of bribery, breaking-and-entering, and kidnapping – Elizabeth Russell has been edited out of public memory, yet the chain of events she set in motion would be the making of Shakespeare as we all know him today.
Shakespeare is the best and most creative writer of the English language of all time. He deploys the widest and most thrilling vocabulary, drawing on classical and biblical scholarship and the keenest ear for human speech ever bent. And where the words he needed didn’t exist, he invented them. The classical actor and his father, the great Linguistics professor, entertain us with the most vital language ever used.
Just because you can say funny things doesn’t mean you can write funny things. Three of the best comedy writers spill the beans on what makes a good script. The writers Will Smith (The Thick of It and Veep) and Steve Punt (The Now Show, The Mary Whitehouse Experience) talk to Marcus Brigstocke.
The legendary screenwriter talks to Peter Florence about the craft of screenplay and the challenges of scale and intimacy in his six-part BBC television adaptation of Tolstoy’s classic novel.
The composer and librettists of the WNO’s groundbreaking new opera introduce their adaptation of David Jones’ classic First World War poem and screen film clips of the production. Bell’s beautiful score combines traditional Welsh song with moments of other-worldliness, terror, humour and transcendence. David Pountney’s period production is both an evocation and a commemoration of the events of the Somme.
The Samuel Johnson Prize-winning author of 1599 offers an intimate portrait of one of Shakespeare’s most inspired moments: the year of King Lear, Macbeth and Antony and Cleopatra. 1606, while a very good year for Shakespeare, is a fraught one for England. Plague returns. There is surprising resistance to the new king’s desire to turn England and Scotland into a united Britain. And fear and uncertainty sweep the land and expose deep divisions in the aftermath of a failed terrorist attack that came to be known as the Gunpowder Plot.
Macbeth, Macbeth is by Fernie and Palfrey, with stunning original pictures by de Freston. The tragedy is done, the tyrant Macbeth dead. The time is free. But for how long? As Macduff pursues dreams of national revival, smaller lives are seeding. In the ruins of Dunsinane, the Porter tries to keep his three young boys safe from the nightmare of history. In a nunnery deep in Birnam Wood, a girl attempts to forget what she lost in war. Flitting between them, a tortured clairvoyant shakes with the knowledge of what’s to come. An unprecedented collaboration between two leading Shakespeareans, Macbeth, Macbeth sparks a whole new world from the embers of Shakespeare’s darkest play.
The makers of the fabulous BBC crime drama discuss the characters, setting and plot, and the handling of the rape story in the third series. Exec producer Elaine Collins and script exec Clare Batty are joined by Ann Cleeves, who writes both the Shetland and Vera novels on the which the television dramas are based, and Alison O’Donnell, who plays DS Alison “Tosh” McIntosh. Chaired by the Radio Times TV Editor, Alison Graham.
What’s Macbeth without the witches? Quite possibly the play Shakespeare wrote. Macbeth was not published until after Shakespeare’s death and it is highly likely that it was his great contemporary Thomas Middleton who wrote most of the supernatural scenes. The Goldsmiths Shakespeare scholar will consider the role of the witches in Macbeth; their lasting legacy of psychosexual drama and the problems of ‘normal’ in a play that features a homicidal thane, a woman who wants to be unsexed, and a collection of bearded women babbling on a heath. Chaired by Peter Florence.
Why are we celebrating the 400th anniversary of Shakespeare’s death? Who and what are we celebrating? How did Shakespeare get from there (the Elizabethan and Jacobean stage) to here (the global icon) and where will he go in the next hundred years? The eminent Shakespeare scholar is the author of The Genius of Shakespeare and Soul of the Age: The Life, Mind and World of William Shakespeare. He is Professor of English at the University of Oxford. Chaired by Jerry Brotton.
The Artistic Director of the Royal Shakespeare Company, and this year’s Richard Dimbleby Lecturer, discusses Shakespeare’s legacy in 2016, the 400th anniversary of his death. The RSC’s celebrations in Stratford-upon-Avon include two major new productions to be directed by Doran: King Lear with Antony Sher, and a ground-breaking production of The Tempest with Simon Russell Beale, in collaboration with Intel and The Imaginarium Studios.
Sophocles stands as one of the greatest dramatists of all time, and one of the most influential on artists and thinkers over the centuries. Taplin has translated the four great tragedies in which he portrays the extremes of human suffering and emotion. Oedipus the King follows Oedipus, the “man of sorrow”, who has unwittingly chosen to enact his prophesied course by murdering his father and marrying his mother. In Aias, the great warrior confronts the harrowing humiliation inflicted upon him, while Philoctetes sees a once-noble hero nursing his resentment after ten years of marooned isolation. In Oedipus at Colonus the blind Oedipus, who has wandered far and wide as a beggar, finally meets his mysterious death. The great classicist, Oliver Taplin discusses the plays with Tim Whitmarsh, AG Leventis Professor of Greek Culture at Cambridge University.
The historian was set alight by Shakespeare’s muse of fire when he first saw Henry V as a child. He examines Shakespeare’s making of the myths of England. He hymns the Histories, the kings and the commoners, the band of brothers, and the spirit of Shakespeare’s greatest knight, Sir John Falstaff.